Antiques Collectibles Books

The Gnome itself is very cute. The little story book is a delight!

This is such an adorable and charming little gnome. He makes a great figurine in general, or as someone suggested great for vacation pics. I ended up getting one as a little gift for my mother, who has a small garden on her window. He looks great on the window. Very nice quality, cute design, the little book is a fun read - for adults and kids. And it comes in a neat gift box, makes a delightful gift or for yourself. I may end up getting myself one, since it's charming.

These wee little gnomes make the cutest little "bag stuffer" to include with your housewarming or feel better gifts.
Adorable!

This little guy makes a wonderful travel companion, or he'll wait patiently on your desk or dresser. I especially like his friendly appearance and small stature.

He's solid, made of some kind of plaster-ish composite material.

If you need a miniature friend, this is the guy for you.

My boyfriend and I took this little guy on our recent trip to Europe and he was awesome, very portable and handy. He makes photos much much more entertaining. Though I do caution that if you put him down in a train station in Rome and then get distracted, it is very devastating when you forget him there. Good thing I got another one!

This book, simply put, is an absolute neccessity for all coin collectors. With Kenneth Bresset editing the book and Q. David Bowers narrating it, the book has to be awesome. It has, among many other things, The basic ANA Grading techniques, Key to official ANA Grading Standards: Circulation Strike Coins; Key to official ANA Grading Standards: Proof Coins, Advanced Grading Techniques, A closer focus on certain aspects of grading and the official ANA grading standards for each coin type. From AG-3 to MS-70. It also has notes that warn you about different things to look for in certain types of coins. Buy this book, you definately will not be disappointed.

Easy to understand and use. Photos extremely helpful. Essential tool for novice and experienced collector alike.

EXCELLENT book for those trying to learn to grade there coins. I HIGHLY reccomend this item. Details every grade, and what characteristics it take for the coin to make the grade.

The Sears and Roebuck catalog has been a huge help in writing my historical romance set in the 1890s. There are saddles, surreys, and patent medicines. This visual aid has made it so much easier for me to give an accurate depiction of the times.

Imagine having an invention which would allow you to review various products from the comfort of your own home. An invention which would enable you to purchase food, clothing, books, tools, medicines, transportation, furniture and virtually any other consumer need. An invention which would permit you to choose various delivery options which varied by cost and speed. Oh and by the way the year is 1897. After reading this book I have to say that the 1897 Sears Roebuck Catalogue was truly the Internet of its day. The book lists literally thousands of items which could all be purchased from the Sears Roebuck Company. Many of the items are farming equipment and provide a look at what was needed to raise food in the small family ran farms of the day as opposed to our world of largely corporate farming. The drawings of the home entertainment options available show how much easier we have it today. The product descriptions, especially of the medical products are eye opening (you could actually buy opium) and the overall feel is that a person in the late 1800s, even if stuck in a small rural town, truly had access to the world provided he had a copy of the Sears Roebuck Catalogue.

This is such a great look into turn of century catalogue shopping. You'll be shocked at cheap things like violins and three piece suits used to be. For history or shopping buffs, this is a really, really neat buy.

I love it! It is fun to look at the the prices of the items that were sold back at the turn of the century.

This book is utterly fascinating for those who hold any sort of interest in bygone times. While not a step-by-step guide, it inadvertantly thrusts the reader into the role of a home owner of limited means in the late 1800s. You find yourself shopping, suckered in by the richly worded item desciptions and enticed by the promises of "best on the market," "guaranteed for a lifetime," and "will cure all diseases of the nervous system."

Unconsciously, you create your own little shopping list and envision a home where the husband builds everything from the buggy to the bathrooms while the wife prepares all the meals and pretties herself with skin whiteners and hair lotions.

I am so glad to have bought this catalogue. I use it as a writing prompt for my high school students, to encourage creative and analytical thought, and they delight in it. I implore everyone to investigate this book.

There is nothing new in this book except the 19th on the edge of the cover. It doesn't even cover the state quarters or presidential dollars. I am very disappointed in the quality of the photographs. I would have expected quality Color photos in this day but these photos are of 1970 B&W quality and not the quality of todays digital photos. It's just a poor and lazy update of prior versions to give the author a boost in money. If the author wants a good book then completely redo it with high quality color photos and add the new coins for more accurate grading. Do not waste your money on this book. Buy an older used one for less money.

I am extremely disappointed in the photographs. They are not large enough and not clear enough to really see detail being discussed. With the state of art of photography and printing, the quality of the book is inexcusable, especially since having photos of the various grades is the `niche' the book is trying to fill. I realize that using glossy paper would make this book significantly more expensive, but they could have done a much better job with the existing paper stock. The photos make this book unusable. Instead consider `AMA Grading Standards' or `Guide to Coin Grading and Counterfeit Detection.'

Persoanlly, I really like this book and use it all the time. It is easy to understand and helps me feel more confident with my personal grading practice. The only thing I don't like is that the pictures are not the greatest but this hasn't really been a problem for me. In short, if you want to grade better then get the book. The sub-par pictures aren't enough to detract too much.

While the book is unique and helpful with the pictures depicting the grade of most coins, it is outdated! I was very disappointed to not find grading guides for the new state quarters (1999,ff). I read on the title page that it was last revised in 1995! Yet, the book was copyrighted in 2005. I thought I was buying a current book to aid me in grading my coins. Wrong!

I've had this book for years. And yes, while it's a very good guide for grading coins in the inferior grades; and as someone mentioned, even many ten year old kids can do this--those aren't the grades that most often matter much with regards to US coins.

For example, a well known mail order coin company has a 1923 Mercury dime for sale, right now, for $8.75 in the grade of good--which is probably a bit much, for one of the lowest possible coin grades. On Ebay, the same coin in "choice BU" (and no one knows what that means exactly particualrly not on ebay), appears, for sale, and to be a roughly MS-60 coin. It can be "bought now" for $50 bucks. So that's the range that Photograde handles--Almost Good, to Brilliant Uncirculated. A range which varies from $5 - $50 on this particular, common date Mercury dime.

Now that same dime however, has sold recently at auction for $500 in MS66, $1800 in MS67, and a whopping $12,500 in MS68!

In other words, unless you're a kid collecting out of your lawn mowing proceeds, the real issue nine times out of ten; on most coins after 1850), isn't whether or not a coin rates VF or F, it's all about the 10 different grades from MS60--MS70.

It's frankly amazing to me that there isn'tt a good guidebook published by PCGS or ANACS, that can do in text form, what these organizations pretend to do every day of the year behind closed doors--determine grades of uncirculated and proof coins.

Such a book would be relatively expensive, maybe $50-$100 or more. But for people who collect coins at least in part as investments, this amount is barely significant in terms of what it would mean to teh collector.

Photograde? It's a decent enough compendium, but you can go online and get most of their grading criteria, with better pictures, for free. The book is sadly out of date IMO, in the sense that it still treats coin grade divisions, much as they were treated 30 years ago.

I have used each edition of this book as my Breyer Bible. It keeps getting better with each edition and is very well formatted. Lots of great information on the molds / models as well as up to date values.
And the photos are incredible. I wouldn't be caught without it!

Describes everything I needed to find out about the Breyers. Sometimes it was a little difficult since I had the horses and had to search individual pages until found... no ID no. on horse, or some other method

There is a wealth of information on the various types of Breyers and great descriptions. However, many of the color photos are off, with a lot of orange tinting. You need to go by the written description rather than the actual photo. Also, I was extremely disappointed in the pricing. As an avid collector and owner of over 180 traditional Breyers, the prices are rather low. You could not use this book for insurance purposes or buying prices. I have seen many of the Breyers listed in the book go for much higher prices than what is quoted in this 5th edition. It is still a good reference book.

This goldmine of information is necessary for both the serious collector and for anyone with interest in the Breyer collectables. It's straightforward pictoral guide is easy to use and the fair market values are just that...fair. Don't shop for a Breyer without it!

Lots of great pictures, but values are off. I would not use this to determine the value of what I'm selling. The values are often less than what the going price is, and occasionally more than they're worth. Great pics and book to see what is out there nonetheless.

A most thoroughly enjoyable book about Halloween. Wonderfully written and beautifully illustrated it takes you back to a bygone era of Halloween celebratons. A must have book for anyone who is interested in vintage Halloween.

Halloween Merrymaking: An Illustrated Celebration Of Fun, Food, And Frolics From Halloweens Past
by Diane Arkins is a very fine year-round family or community library acquisition illustrating the Halloween celebration of fun, food and holiday partying. This is no repeat history: material from a range of the vintage party guides and magazines that guided hostesses in their party-giving endeavors is presented and showcased in a lively survey of festivities and small color photos.

Diane C. Arkins' Halloween Merrymaking: An Illustrated Celebration of Fun, Food, and Frolics from Halloweens Past (2004) offers a poignant but hopeful glimpse back into American high culture and the "Golden Age of American Halloween," which the author locates between 1870 and the early 1930s. Today, many deny that such a high culture ever existed in this country, or, if willing to make such an admission, will tar that culture as "elitist" and "oppressive."
Yet, at present, Americans everywhere crave a richer, more substantial, and refined existence than the mediocre model that the current popular culture promotes and sustains. Halloween Merrymaking looks back on a time when neighborhood and community, good manners and retail integrity, decorum and propriety, dress and composure, breeding and ingenuity, were all essential and unavoidable aspects of daily American life. Such cultural elements certainly represented strictures in some cases, but the rewards for such discipline was enormous: a thriving, evolving, positivistic, and multi - tiered society that strove to refine and improve itself in any number of ways.

Stressing above all that Halloween in the Golden Age was "hardly a monster's ball by any stretch of the imagination," Arkins focuses on the holiday as it was celebrated in magazines and periodicals of the era, which subtly dictated the civilized manner in which this most anarchic of American holidays was enjoyed by parents and children alike, whether at family gatherings, church socials, classroom frolics, bridge parties, or comparatively chic adult soirees. While children's party treats include the expected cakes, donuts, and candies brightly wrapped in autumn colors, a typical adult menu unselfconsciously suggests Oyster Canapes, Lobster Bisque, Waldorf Salad, and Broiled Squab.

Though the preface states that Halloween Merrymaking is not a "how - to manual" in the traditional sense, the book has sections lovingly devoted to "old fashioned" invitations, interior and exterior decoration, party favors, preparation of the party table, menus, costuming, appropriate music, and suitable games such as apple bobbing, nutshell auguries, tea leaf divination, and other forms of fun and fortune telling that have long roots in British history and folklore.

Though the finest commercial Halloween decorations, party favors, and costumes of the period are featured and emphasized, there are also numerous suggestions for making comparable items from orange, black, and white crepe paper and cardboard, standard kitchen vegetables, and other readily available materials. Ingenuity, enthusiasm, and a happy "can do" attitude are underscored throughout. America was largely an agricultural society at this time, a fact the book reflects in a number of meaningful and practical ways.

Halloween Merrymaking includes period photographs of parties and costumed partygoers, magazine covers and entire magazine articles (such as 1906's "A Jolly Forest Halloween" and 1909's "Under The Pumpkin Vine At Halloween"), and a wide variety of imaginatively depicted period reproductions of witches, jack o' lanterns, black cats, ghosts, harvest moons, owls, and fairies.

Highly recommended to those seeking inspiration and a cure for cynicism, apathy, and the present third - rate norm.

I awaited the release of this book with keen anticipation, and overall, find it a delightful retrospective of Halloween celebrations of days gone by. The excerpts from vintage magazines and party guides are charming. My chief complaint lies with the design and treatment of the visuals in the book - they are painfully small. At such a reduced size, they don't allow the reader to fully appreciate the charm of the vintage advertisements, postcards, invitations and photos of costumed revelers.

We Americans tend to be somewhat near-sighted in our view of Halloween in thinking that our celebration of the day is relatively a modern fascination. And, in truth, Halloween has boomed in the past twenty years to become second only to Christmas in decorating and celebrating the season. As Diane C. Arkins shows in this wonderful book, however, Halloween has been widely celebrated for well over one hundred years and this book concentrates on what Arkins calls Halloween's golden age from the 1870's to the 1930's. The book is filled with hundreds of vintage photographs, illustrations, and magazine reprints from the period.

Halloween was not the ghoulish, gory holiday that it is today, but rather a day of revelry when people would hold parties for adults as well as children. Throughout the book writers of the times dispense advice, squarely aimed at women, on how to throw a successful Halloween party. We begin with invitations with some classic examples of period artwork depicting pumpkins, witches or black cats. Showing far more thought, as well as sophistication, magazines even gave advice on what to write, often favoring catchy little rhymes.

Halloween decorations became widely available during the 1910's and Halloween Merrymaking presents hundreds of photographs depicting these vintage decorations. Illustrations and photos show various themes of the times. Interestingly, many of these decorations are being recaptured these days by modern crafters. The fantastic crepe` paper and paper Mache decorations are a collectors dream!

Party favors presented to children or adults were staples of Halloween get-togethers in the golden age. A popular idea of the 20's and 30's was "Jack Horner Pies" in which a centerpiece stood in the middle of the table with ribbons pulled to the end of the table, separating it into wedges, one for each guest. Within each wedge the hostess places small gifts or party favors such as fortunes, written in milk on paper so they would be invisible until held under a light, The fortune would hen be placed inside a walnut shell.

The magazines of the era also offered advice on what to serve for your party and included such forgotten delicacies as Little Goblin Stuffed Eggs and Moon Sandwiches. The book even provides sample menus for different types of parties such as formal, informal, or children's. Next up is the entertainment with suggestions on music and dances and games, as well as advice on costumes. During the 20's and 30's occultism was extremely popular and the book offers numerous fortune-telling and divination games that people could play at their parties.

Finally Arkins reprints several full, vintage articles on Halloween from magazines such as Woman's Home Companion, Woman's World, and Ladies Home Journal. You really get a sense after reading the book just how much Halloween was enjoyed back then without the rampant commercialism of today. This is a nostalgic walk back in time to an era of simplicity and fun. It's fun and educational to see how our grandparents and great-grandparents may have celebrated Halloween decades ago. Highly recommended!

This is in response to the Jeffery C. Chase review in which he incorrectly states that the work of Antonio Frasconi and Leonard Baskin were not mentioned in the Woodcut Artist's Handbook. They were mentioned and their work would have been reproduced in the book as well if the publisher had been granted reproduction rights. Frasconi's work is referred to on page 20 and The Complete Prints of Leonard Baskin by Alan Fern and Judith O'Sullivan (1984) is suggested reading on page 150. We tried to include as many artists as possible but because of copyright restrictions and limited resources we could not include everyone. Thank you for your comments.

How any book claiming to cover woodcut prints could fail to mention the works of Antonio Frasconi and Leonard Baskin, yet show half-baked attempts at wood engraving, or champion Barry Moser's soul-less technique as "mastery" is fundamentally lacking. While I thought the love of the medium did show through, and the coverage of the tools and techniques was sound, I think many lesser artists were mentioned, and without these two, it yields an anemic visual source for the interested artist.

I have just begun engraving wood and found this book to be extremely helpful. It describes the differences between carving and engraving and gives ample information on tools and printing processes for a beginner.

Walker has taken woodcut, arguably the oldest of printing techniques, and brought it into the twenty-first century. Albrecht Durer would certainly recognize everything that goes on in a woodcut artist's shop. It's the tools, inks, papers, and especially subject matter that have changed. This book steps clearly through every step, combining very readable text, illustration, and samples of original prints.

The book starts with the block itself. That can be something as homely as a cut slab of potato for a child's effort. It can also be linoleum, a wood plank, or a piece of plywood for regular woodcut. Wood engraving, which differs mainly in the fineness of the cut marks, requires fine, hard surfaces: end-grain boxwood, maple, or cherry in traditional technique, or man-made materials that may be lest costly and more predictable. The rest of the book continues in equally exacting detail: tools and especially their sharpening, cutting with hand or power tools, papers, classic and modern inks, taking the impression with simple or complex presses, and deciding on the edition. Although specimens appear thoughout the book, the last chapter is a gallery that shows the variety of people, techniques, and subjects in contemporary woodcut. Back matter is very helpful: glossary, artists' biographies, bibliography, access to resources, and a helpful index. The resource list may age quickly, as art suppliers come and go, but everything else has lasting value.

There are a few oddities. For example, Walker uses the term "monoprint" to describe images from uniquely inked cut blocks. I can't argue that usage, even though the term is more widely understood to describe prints from inked but uncut surfaces. And, despite otherwise complete coverage of multi-block printing, he omitted the idea of the counterproof. That technique inks the key block and prints it on paper, then uses the paper to transfer wet ink to the blocks to be used for other colors. Although traditional, the technique may lack the precision needed for wood engraving, and may have been overtaken by photocopying and other modern techniques.

I recommend this to anyone who appreciates woodcut, as an observer or as an active printmaker. It's beautifully printed and bound, and, despite the antiquity of the technique, completely up to date.

//wiredweird

I found the previous reviews to be helpful and true. I read it cover to cover immediately and can't wait to try some of the tips and to find a couple of tools I found quite interesting.

This book has alot of pins but the organization makes it hard to find a specific pin. It would be better if it had an index by character.

For the people who complained about the lack of index... how could anyone possibly index that many pins. The index would be as long as the book is. The table of contents is perfectly adequate for narrowing down the page. After that the hunt for the pin is half the fun.

The book was nice, and I enjoyed the estimated values of the pins, but to be quite honest - the index was absolutely horrible. It is near impossible to find pins wihtout searching through several pages. It would have been great if they had the pins listed by number instead of whatever system they have came up with. Hopefully they improve on this in the next edition.

Although it can be difficult to find the items you are looking for it is fun to just look through. A serious collector would probably take this book more as a guide.

Dinsey pin collecters and traders will enjoy seeing all the pictures in this book. It is the best source for info on the pins but being the only source, they don't have to be that good to be successful.
Criticisms include the fact that they don't list ALL the pins- you have to buy more stuff to get info on the overseas them park pins, Disney store pins, online pins, and others. Finding a pin can be very difficult also as their index is unclear on many items. You have to know where the pin was released to find it in the book and many of us won't guess right on that question. Some of us would like the pictures in the book to be a little bit bigger, too. A final criticism is the price of the book for the numbers of pages- it's expensive.
For someone who collects, the book is indispensable but it is a very imperfect work.

Thoughtful and clearly written, Appelbaum's book is an essential read for both students and practitioners of conservation. Her work is particularly useful during the planning stages of treatments.

If you don't want to have troubles with Brandi, Jukileto or Muñoz Viñas, and just want to identify the practical utility of conservation decisión and judgement process including all related with means and symbolism, this will be a totally usefull and delighful book. Highly recommended for teachers and students of conservation.

Truly, enjoyable reading if you're interested in the field of conservation. If you can see a cartoon pop-up of conservator's head, well, Barbara Appelbaum explained all. Many good stories, and some technical stuff actually add real flavors. Good stuff, indeed!!

I am delighted to have this book. Barbara Appelbaum has thought through and presented many ideas I have met over the last 30 years as a conservator, but that no one before has put into this kind of focus. She demonstrates the kind of thinking that is critical to responsible care and treatment planning. Thanks you, Barbara, for giving us the benefits of what you have been doing and teaching all these years. This is an enormous contribution to the conservation field. The content is insightful and practical. The book should be read, owned and used as reference by everyone who owns or takes care of art objects.