Antiques Collectibles Books

This book is chuck full of antigues with prices and pictures, I highly recommend it!!!

The 2007 Edition of Antique Trader Antiques & Collectibles Price Guide is superb. Filled with gorgeous color photography and to the point descriptions, this modern guide has become a leader in the field. I highly recommend that you add this guide to your library without delay!

The weighty yet portable Antique Trader guide Antiques & Collectibles Price Guide 2007 may not fit in a jacket pocket but it will easily be a take-along to any garage sale or flea market for avid collectors. Public libraries strong in collectibles price guides and private collectors alike will find this annual reference follows the market, offering up the latest prices and some 5,000 new color photos and upgrades to this latest edition.

As always a useful reference for the collector. My wife and I buy and sell glassware as well as other small collectibles and antiques and find this to be one of the more useful general guides for pricing and identifying a range of items.

This book works well to get a general idea of the value of items, but it has some bare spots. They cover some items in great detail and others in very general terms.

I would have liked it better if there was more discussion about what causes the variation in prices of certain categories.

Lillian Baker's "100 Years of Collectible Jewelry" might help you to find your way, but only barely. The small opening section, with a brief history of jewelry, may be helpful to the novice...but is by no means complete or even truly interesting to the seasoned collector. It will give you an overview of jewelry styles and some of the historic events that prompted them, but will leave you wanting more. (Much more.) The photographs in the book are clear, but very small; not wildly exciting nor representative of all periods and jewelry styles. However Ms. Baker does go into areas not generally covered...hair combs, hat pins and beaded purse are investigated although in a flash in the pan sort of way. Possibly the major advantage of the book is the Glossary of Terms. If you are brand spanking new to collecting jewelry, this may be the most helpful and informative portion of the book. Overall I would recommend the book for it's reasonable price and easy to chew small bites of information, but if you are interested in a compelling, in-depth view of the history of jewelry, this book is not for you.

I am very pleased with this book. It is full of beautiful pictures of all rooms of Mexican style homes and their gardens. The verbage defines Mexcian style for each type of room, as well as giving a general overview and samples of paint colors. This book is exactly what I was looking for!

What a beautiful book. One of the best I have seen. I live in Mexico and will be using many ideas.

Excellent photo's to plan off of. They give ideas to maintain a modern design and still keeep the traditional flow of true Mexican and Spanish feel

This is definately a well layed out book, with really nice high quality pictures, my only question is why are at least half of the picture in this book of houses in the United States? Granted they are in the Southwest where there is a obvious Mexican influence, but I refuse to believe the best examples of Mexican interiors are found in Tucson Arizona! And of the interiors in this book most of the ones from Mexico are from San Miguel de Allende, or Guanajuato which are two towns a hour apart from each other. There are extraordinary colonial gems in Zacatecas, Oaxaca, Puebla, México City, ect, ect, that could have easily been included in this book instead of some American's house in the Southwest... I would have liked to have seen a book on Mexican interiors that were 100% Mexican. The book MEXICOLOR, though not entirely consisting of interiors is a far more authentic book.

We were looking for ideas for our outside patio area, especially colors, and this book is great for various decors with vibrant colors. You will find yourself looking through it again and again.

The book covers the process of creating mokume-gane from start to finish in a clear, informative manner. Having never used this technique before, I used this book as a guide and was very successful the first time. In addition to information on fusion/diffusion, forging, patterning and patination, the photographs of finished pieces and samples are helpful in displaying the effects of various materials, patterns and finishing techniques (some quite surprising). Details about different material combinations and their working properties are also included. I have no experience with other books on this topic to compare to, but for now this book seems to be the only one I will need to continue using this technique. My only criticism is that the chapter order could have a better arrangement.

Covers a number of topics that are only briefly alluded to in Midgett's book. Dr Ferguson also uses a different process than the ones covered in Midgett's book. He includes a detailed schematic of the kiln and press apparatus. Using this process, he is able to combine a number of materials not readily available to people just using the common processes.

Short and concise, for the most part. The section of pagination is worth the cost of the book itself. Covers a lot of material that is usually not all available in one place. The color plates in the appendices really show the range and variation possible.

National Living Treasure Kokan Nagayama's "Connoisseur's Book of Japanese Swords" is one of the definitive references on Japanese swords (nihonto) available in English translation. I bought it after either purchasing or familiarizing myself with several other essential, but much more basic tomes such as John Yumoto's "The Samurai Sword: A Handbook," Kazan Sato's "The Japanese Sword: A Comprehensive Guide," and Kapp and Yoshihara's "The Craft of the Japanese Sword." Each of these books has a niche, along with relative strengths and weaknesses (e.g., Yumoto's book is but a brief overview with crude hand illustrations, Kapp & Yoshihara focus on a general overview of forging, etc.) such that those seriously entering the world of nihonto would be well-served to collect them all (after all, all of these books together are going to cost a infinitesimal fraction of the cost of a nihonto and will therefore be a sound investment).

The stated intent of the Connosieur's Book is to arm the novice with a beginning understanding of the types of things that one would need to learn about kantei, the art of nihonto appraisal. Having said that, the level of detail here is far beyond that found in most other introductory books about nihonto for novices, and probably more than the casual fan of "samurai swords" would benefit from. The book is really designed as a reference and includes considerable detail. It does a nice job of going through major and subtle differences of nihonto through different eras and schools of sword-making, along with a brief historical context to explain changes and influences. It likewise gives an illustrated reference to variations in sugata (shape), design (sori, mune, shinogi), hamon (hardened edge), nakago (tang), kissaki (tip), hada (steel grain), horimono (engravings) and the like. There are no photos, but there are ample oshigata-style illustrations showing the subtlest variations to match with the text. Significant detail is included listing various schools of forging and individual smiths -- all of which are essential building blocks for kantei. There's also an appendix on inspection etiquette, charts organizing smiths and characteristics of their blades, and a glossary.

It's therefore a fine reference, from one of Japan's leading authorities, but as with the other books of the genre, there are strengths and limitations. The strong point of this text is its encyclopedic detail along with decent organization and illustrations. I picked this book up hoping to learn more (having read the other books, taken a course in forging of Japanese swords, and training in Japanese swordsmanship) about differences in major traditions of swordmaking. The book helps to explain that, but perhaps not in the clearest way. As but one simple example, Nagayama Sensei writes, "Swords of the Shoshu tradition typically have abundant ji-nie as well as chikei in the ji, and a hamon consisting of nie with vigorous activity such as kinsuji and inazuma." The Japanese terms can be cross-referenced elsewhere in the book, but they are presented individually and piecemeal, such that it can often be hard for the novice reader to get any kind of clear overall mental picture of the subtleties referred to in the text (e.g. what does it really mean that the nie is 'abundant' or 'vigorous?'). So what is missing? More illustrations of entire swords (and at least some photos) could be of use, along with side-by-side comparisons to understand the relative differences between styles (e.g. here is a typical Bizen, here is a typical Shoshu and here's how they're different), or maybe a few examples of swords in which the reader is taken through the process of kantei.

Of course, there is only so much you can teach in a book... you can't very well expect to read a manual on swordsmanship, car repair, or reading EKG's and then get right to it -- rather the manual gives you an overview, you then take up the practice, and later you go back to the book for reference. So it is here -- I seriously doubt the book would be very helpful for those who don't plan to earnestly start collecting nihonto and studying kantei, and in fact the level of detail and complexity might very well turn some away. But for those looking for "the next level" of reference after Yumoto or Sato, this book is a good start to learn and refer back to as you then track down, join, and attend your local Token-Kai. It's probably one of the best English language references, but it's not a tutorial or class-in-a-book nor does it claim to be.

This book is essential for all that want to take a closer and deep knowledge on japanese swords. Complete and easy to use.

This book must be the most informative (almost too much) but easy (as possible considering the subject) to read book I have ever owned. It really does have everything you need to know if you are thinking about purchasing a sword. I live in Japan, and when I showed my book to the shop owner I am friends with he was very impressed. Even with a language barrier we were able to communicate about certain features of swords that he was selling in his shop. A must buy if you have any interest on the subject.

This book contains more info than one could even imagine! In fact, that's all I'm going to say becuase it would take to long for me to even give you even a basic idea! I will tell you this: If you don't have this book in your library then you are missing out big time!!!!! Oh, by the way, the illustrations are awesome too!!!!

Enjoy and make sure that you have a weekend free to read.... you'll need it ;-)

I'm not really into sword collecting, but I nonetheless found
this book to be fascinating. Two-thirds of it is pure reference
material related to particular sword makers and that part would be
invaluable to collectors, but it is not of general interest. The
descriptions of the history of swordmaking and the attributes of
the craftsmanship, however, stands on its own as interesting reading.
One comes away with a much greater appreciation of the art form.

magnifying glass! thats what you will need to use this worthless book. no insert listings , micro print adds up to garbage. i tossed it as soon as i checked it ouy.

I just love Hull pottery so I was excited to receive my book. I couldn't wait to look up some pieces I had when it came. I received the book in a few days as promised. Excellent service!!!

Great addition to my resource library for Hull Pottery. Must have if you are thinking about collection Hull Pottery and a must have if you will be sell Hull Pottery.

Shawnee Pottery: An Identification & Value Guide

THIS BOOK IS EXCELLENT, IN PROPERLY INDENTIFYING SHAWNEE PIECES OF POTTERY, WITH EACH PATTERN CLEARLY DEFINED AND IN COLOR. GREAT BOOK

This is a very nice book for the Shawnee Pottery collector. Every collector should use every available resourse at there disposal prior to purchasing Shawnee Pottery because over 50% of the items listed as Shawnee on our favorite on line auction web site is a fake. The value guides are not much use in that they do change frequently, but the photos and descriptions are great. This is just one tool you can use prior to buying Shawnee Pottery.

Good pictures and descriptions and historical information, book was as new. Like most collector's guides, the values are somewhat inflated, but it is an excellent reference and well worth the price.

This is an excellent book. The Mangus' have put together an exhaustive reference on this collectible pottery. They cover everything! From planters to figurines, from bookends to cookie jars, from the design lines to the kitchenware, it's all here.

They include an extensive history of the pottery and its people (owners, designers, employees). They detail the various production methods used to produce the wide variety of wares. They include a wonderful section of photos of the various paper labels used by Shawnee (they used few, if any, backstamps or marks, other than the common "USA".)

My only quibble with this book (and it's a teeny tiny one) is that the prices shown are high in today's market. However, that's not the Mangus' fault, as it reflects the impact that online auctions have had on collectibles in all areas and markets. The bottom line is, if you're looking for a reference on this fun pottery, this is the book to buy!

Great book if you are into collecting and/or buying and selling fishing lures. Tons of info, pictures, and values of lures. Definately worth every penny.

This is a great reference book. All the colored photo's are a great update from the 6th edition. The book contais basic history on lures by manufacturer. This is a must have for lure collectors.

i have started to collect lures and this book has been very helpful good book great shiping fast service

We have a previous edition and wanted to update. This edition does not have anything but lures, no reels!

As a lure collector, I have several identification guides.
This book gets used more than the rest, simply because it is more an identification guide than a Value guide. (Sure, it has book value included(which means nothing compared to auction values), but, it also has way more information on the lures and companies themselves than most other ID books).
If you are looking for a complete library (if you want almost any lure identification at your fingertips--or in your head , as you learn about them all--), then you should definately include this one.
But (always a "but"), this book doesn't cover too many of the "small name" companies out there, or folk arts, nor many flies. But, if it's a top name company (Heddon, Creek Chub, South Bend, Shakespeare, etc.), you will find it in this book, up until 1975.
You cannot go wrong with this book...and if mine ever wears away with use, I'll keep purchasing new copies as needed.