Art Architecture Photography Books

In the 20 page written intro to Bob Thall's book of photographs, the author discusses the introduction of the new suburban areas surrounding large cities, specifically the ones surrounding Chicago, and even more specifically Schaumburg, Illinois. His description is admittedly subjective, but that doesn't make it negative. He addresses the pros and cons of both city life and suburban life, and details the way that his photographs will illutrate his points.

The photographs themselves are stunning simply because they are of such typical subruban non-descript businesses, streets, homes, and parks. What is interesting is how new everything looks, and yet 8 years later, I wonder what it looks like. Thall considers what these neighborhoods will look like 20 years from their construction dates, considering they are built with such cheap material, and almost a decade later, we're close to finding out. It would be interesting to see a follow-up book about the same area, just to see how much can change in such a short amount of time in a rapidly growing suburban area.

For anyone interested in the suburbs and the small cities full of strip-malls and housing developments that arise around major cities, this book is an excellent reference point.

Schaumburg, Illinois (incorporated 1956) is now on the map thanks to Bob Thall's excellent photos taken during the growth of the town in the Nineties. Divided into four chapters dealing with the landscape: corporate, commercial, domestic and natural, the photos carry on the deadpan format of Adams, Baltz, Gohlke and others associated with the New Topographics style.

Despite appearing rather anonymous because there are no people in the photos Schaumburg does look a very reasonable place to live and Thall mentions in his short opening essay that many of the houses and corporate offices overlook small lakes and ponds, created by the developers to control flooding, this water obviously encourages wildlife. As is usual with suburbs/edge cities/New Villages, critics will assume that the inhabitants can't possibly be happy living in such an environment but I bet they are. Probably the best folks-at-home-in-the-suburbs book is Bill Owens stunning 'Suburbia' (ISBN 1881270408) photographed in Livermore, San Francisco.

The sixty-five photos in 'The New American Village' are well presented (in 265dpi) in the standard art-photo landscape format though there is the usual photobook annoyance of having to turn to a page in the back to read each photo's caption. Unfortunately the captions say no more than place and date yet the images frequently, it seems to me, deserve more of an explanation than just resting on the page.

Incidentally, it is worth looking down at Schaumburg on Google Earth, you will see a place that has matured over the years since Thall took his photos and especially look at the space between houses, the curved streets, the position of corporate and retail units in relation to domestic housing. A pretty good place to live!

***FOR AN INSIDE LOOK click 'customer images' under the cover.

Thall is a photographer and his photographs are marvelous: lucid, lovely, tonally rich, beautifully constructed. What's astonishing, though, is the way he has applied his sensibility to the least-liked spaces that increasingly dominate America and the globe: the "edge cities" of prefab warehouses for outsourced products, of instant townhouse communities (really trailer courts stacked upright) of malls and corporate "campuses." Most writing about this new American landscape excoriates it or, more rarely, argues that it's the landscape we want (ignoring that "we" aren't the architects, the patrons, or the developers). Thall seeks simply to look, to see what's remarkable, and then to communicate it, in pictures that embody the complex history of our newly decentralized human habitations. On the cover is a picture of two shocking office towers shot from a parking garage. Only one car is there: a beat-up Toyota station wagon perched impudently at off-angle to the resolute order of the rest of the space. That must be Thall's car; certainly it's the embodiment of the position he takes when he makes these pictures.

Published in conjunction with an exhibit of traditional Saudi doors, this coffee-table book shows traditional doors that are actually still in use throughout the kingdom. A brief introductory essay outlines the differences in style and materials used for construction throughout the four regions of Saudi Arabia. And then it's on to the photographs, which, is has to be said, are somewhat of a disappointment. There are several magnificent doors shown, however in many cases the photographer seems to have had real problems with the natural lighting. Many of the photos are either washed out from being overexposed, or are murky, with details lost in shadows. It's a shame that the photos aren't more consistent, because when they are good, they are very good. Unfortunately, there are also a few instances where somewhere in the book's production, the negative has been flipped. In general though, the book's production is very nice, with rich, thick paper. Interspersed with the photographs is some beautiful calligraphy by the master Mohammed Zakariya. A brief afterword says all the usual things about traditional Islamic art and architecture. All in all, of mixed quality and of limited interest.

I saw this book in its preparation stages before its ultimate publication. Many of the photographs provided inspiration for the marvellous exhibition on Saudi Arabian doors that was presented by the Al-Nahda foundation in Riyadh in 1995.

For anyone wanting to learn more about Saudi Arabia, this book provides a wonderful visual experience to the culture and history of the kingdom of Saudi Arabia.

A wonderful book to carry around with you in Rome. The book provides very detailed maps of the City with brief descriptions of what seems like every building in Rome. It is a great format for wandering and discovering as you go.

Southam's wonderful book of (mostly) large format images taken from multiple series has been one of the most stimulating of the medium I've yet come across. I think it was Fay Godwin (also from the UK) who first made me look at both the beauty and timelessness of the landscape and the detritus of habitation despoiling same. One can get too precious with the subjects considered worthy of an exposure. From the methods of the photographer as revealed herein, Southam is a painstaking master of the medium with a strong idea of what he's trying to convey. His images of rock falls and dew ponds are unquestionably beautiful and with great colour. But it's the "stories", the multiple approaches of aspect or over time that are most interesting here. With some thoughtful essays and excellent printing, this is a book worthy of consideration.

A great book to browse thru on a winter weekend afternoon - the beautiful photos remind you of the best of summer in the country.

This beautifully illustrated book captures the essence of what makes summer cottaging so enjoyable. The settings are perfect for magical experiences & memories.

Schacher's road trip is interesting. The photos show the food on one side and the server on the other. It's interesting to see some of the food (greasy and burned), and how it changes from region to region. A great concept.

The blue plate special, meatloaf, mashed spuds and more are all specialties of the house for most roadside diners, which are celebrated in Plates & Dishes: The Food And Faces Of The Roadside Diner. Artist/photographer/author Stephan Sacher toured the country in search of picturesque roadside diners and their fare: Plates And Dishes isn't a recipe collection, as one might expect, but a visual, artistic food celebration which juxtaposes photos diner dish specialties with their cooks on facing pages. A warm, inviting visual treat, sans recipes.

Diners, yet again have seduced another photographer, who wanted to capture an authentic slice of Americana. Stephen Schacher went the extra mile and only ate in them too while travelling to take his photos. This should have been a neat looking book, all the ingredients are there but it turns out to look extremely boring.

Each left-hand page has a food photo and every right-hand page has a shot of the waitress who served Schacher. You can see what I mean by clicking on the images under the book cover at the top of this Amazon page. The images shown are in fact better looking than the ones in the book though, all the food images suffer from a yellow cast, frequently the plates break out of the image area (that would have easily been solved by running the photos of the page) various other elements of the meal, drinks or side orders are only vaguely included. For an alternative look at diner grub try 'Roadside Food' (ISBN 0941434680)

The waitresses on each right-hand page are also slightly yellow looking but perhaps more serious is that the pages all look so similar. Far better I would have thought to vary the poses and show much more of each diner, they are after all bursting with visual excitement as Gerd Kittel found out in his Diners: People and Places. The only visual break in Schacher's book are the occasional graphic spreads that display a map and made-up receipts with details of the meals plus where and when they were eaten.

'Plates+Dishes' is a great idea that just isn't cookin', unfortunately.

Oh yes, Bonnie from Fenders Diner, Cornelia, Georgia can serve me a meal anytime, what a dish!

***FOR AN INSIDE LOOK click 'customer images' under the cover.

I was actually a part of this project and can tell you this is a great glimpse of what the youth in Mumbai actually sees - or sometimes doesn't. I have met all the (then) kids who took pictures and this book is such a great perspective on their lives...a great buy...it is a reflection of their characters - all unique and expressive in their own way - minds unpolluted by adult mindsets.