Art Architecture Photography Books

When you first lift, or attempt to lift this book, you know right off you got your money's worth!

This is now my prize Titanic book, the only one close to it is "Anatomy of the Titanic" by Tom McCluskie. But this book blows that one out of the water, and the sheer amount of construction pictures and diagrams are outright insanity. My favorite aspect of Titanic and her sisters is the construction of the ships, and this book caters to people like me in a grand way!

The most interesting Titanic book I've gotten in a LONG time. Lit up my facsination all over again. Get it. NOW!

as a titanic manic this book let's you really see the ship's of dreams was really look like inside.everything in this ship was the best.

Among Titanic buffs, a "rivet counter" is a person whose primary interests in the Titanic lie in the direction of the physical details of the great ship rather than with her passengers or the drama of her last voyage.

"Titanic: The Ship Magnificent" is an unmatched resource about the physical ship. Printed on glossy stock with hundreds of diagrams and photographs (some from Titanic herself, others from her sister ship, Olympic, and other vessels of the era) the two massive volumes (Volume One deals with design and construction, Volume Two with interior decoration) cover virtually every imaginable aspect, from fabrication techniques used in constructing the hull to the various designs of First Class water closets (and china patterns).

I have a goodly number of "Titanic" books and have never seen anything that could remotely rival this set for portraying the physical reality of the ship. Obviously, this is not a work for the general or casual reader, or even a good overall account of the ship's fatal voyage, but any rivetcounter (or anyone with just a touch of that disease) would find these books endlessly fascinating.

Oh, and how many rivets? About three million were used to construct the Titanic's hull and superstructure.

If, like me, you like to know every thing about the Titanic. If you are fascinated about this great ship, you have to own these two really magnificiant books. Many pictures, I hadn`t seen before.. Although I already have many books about that great ship, I have learned many new things about her. I do not regret that I add these two wonderful books to my Titanic books`collection and I recommand that you buy them if you are a truly fan of the Titanc ; More than ordinary books, these books are pieces of collection.

I have previously raved about Volume II in this series (which came out before Volume 1) and I will do so again here. This is meticulously researched and photo/illustration rich. This volume covers the building and hardware fitting out of the TItanic. Most of the illustrations come from her sister ship Olympic, but there are also many rare photos and illustrations here directly from the Titanic as well. From bulkheads to Marconi machinery, it is all here. Note that this does NOT include any of the "Titanic Story" -- this is pure, factual, blue-print type material about the ship itself, not it's sinking, its passengers, nor its crossing. I have been pouring over both of these volumes now for weeks, and just love them.

I bought this book because I thought it would be pictures of the outdoors. Pictures of Lighthouses, waterfalls, the Soo Locks, the bridges up north, and of course the great lakes. There are maybe 10 pictures of these things and the rest are of people hanging out doing diffrent things. So if your looking for a book with great things Michigan has to offer this one is not it.

It is difficult to find good contemporary photography overviews -- typically, you could go to galleries or museums for several years or buy a stack of art photography books and spend days going through them -- assuming you had a strong Art background. This book offers a nice alternative and it is one of the best overviews of contemporary fine art photography available.

Aperture, a respected photography publishing house, has beautifully produced this handsome book with 80 of what they consider to be the best living and working art photographers. The selection is broad, encompasses many areas and is well organized into 7 sections from Portrait to City. Several works from each artist are presented along with a short description of an artist's Work from a curator's perspective. Even more valuable are quotations from each artist describing their Work from their perspective. This alone makes the book worth owning.

Photographers you might know; Cindy Sherman, Thomas Ruff, Gregory Crewdson, Jeff Wall, Uta Barth, Joel Sternfeld, Thomas Demand and many others are alongside people you have probably never heard of but should get to know. The coverage of the cinematic, self exploration/psychological, conceptual and to some extent digital influences presented here should be thought provoking. Clearly, the "digitalness" of photography as a medium and all that implies -- interaction and collaboration, manipulation and realism, and authenticity and authority -- is growing in importance and will no doubt be better covered in the future as those artists emerge.

There are only two omissions that would have been interesting to see included; artists such as Gerhard Richter, best known for his painting and who uses photography extensively -- and some of the newest up and comers, like Idris Khan. To be fair, those areas are rich enough to support separate books and you should not let this keep you from buying this book. Overall, this is an excellent way to quickly learn about contemporary photography and you will not be disappointed.

Very good Rhigting but only a few serious art photographers in this book all the others don't know anything about photography or art and the "visual" failure to pass the message of the concept they are dealing with at all!
There are a lot of much more better artists that deal with the same matters to choose from.

Is sade to see how the curators and academics that deal with art photography, follow the art dealers and PR people and they are failing on their mission and leading this wonderfull art of photography to pathetic places

to call this 'art photography now' is a bold move, and this collection is less a survey than an advertisement for a particular style of photography. the work doesn't vary much from artist to artist, and if you don't like color fictive constructions and digital manipulation then you probably won't like this book. as the trend of this type of large scale, color, set-up, advertising-influenced work fades, this book will seem a sad reminder of a rather lame period in photo history when the majority of galleries, critics, artists, and dealers joined forces to produce (like this title) little more than a shopping mall of trendy, elitist, high-priced commodity under the guise of art.

i think this book is one of the best art books available on the market. Every section is divided by the artist and it's explained in a very complete way and very simple to understand at the same time...a real dilight to your mind and a strong pleasure to the eye!!!

it's not the first time for me to go throgh photograpy art books, and i have been into contemporary art and contemporary photography for many years. I can affirm that this book is one of the best and more interesting i have ever read... extremaly attractive and taken into great care!!!