Biography Books

While not laugh-out-loud funny it is amusing, enjoyable book. So many of us can see pieces of our own family dynamics in her stories of gifts that you pretend to like, food you serve they won't eat, and those incidents you laugh at only in hind-sight. Her last chapter where she spends time with one of the Americans held hostage in Iran for 444 days is wonderfully poignant.

I heard the author on NPR and immediately wanted to read her book. She did not disappoint. She provided a much-needed antidote to the current stereotype of people from Iran. She is smart, sensible, and very amusing. I thoroughly enjoyed reading about how her family has successfully adjusted to living in the United States.

This is a fast reading book with lots of humor about an Iranian family that comes to live in Southern California. It contains universal lessons of life and humor. Everyone can feel the love that Firoozeh has for her family, her birth country, and her new home in America. After reading Laughing Without an Accent, I felt as if Firoozeh's family were my own. I was fortunate to be able to meet this charming author in person. This book will lift your spirits!

This book is hilarious. As an Iranian-American with a large family who immigrated from Iran, i found myself reading them passages so they could laugh with me. I have re-gifted this book again and again so that my entire extended family can join in. I absolutely loved it and know that you will too!

Humor isn't usually the first thing that comes to mind when talking about Iranian Americans, but Firoozeh Dumas may just change that! Each vignette highlights the craziness both of her family and of various culture: American, Iranian and French. She writes with such conversational ease, as if telling you a funny story over a cup of tea. Each family member is drawn with clarity, as if you've known them all along. Her family is like a favorite sitcom family - familiar, funny and slightly over the top. The reader can imagine them getting into all kinds of wacky situations and can't wait to tune in for more.

Part of Dumas' great writing skill lies in the simplicity of her descriptions. She is able to set a scene with few words, but provide such keen observation that she cuts right to humor of the moment. She illuminates the humor of cultures and personalities with lightheartedness and respect. She seems to find idiosyncrasies to be both precious and maddening. She clearly loves her family very much, and is able expose the absurdity of their everyday lives. Her command of humor makes even the most mundane of subjects like oversized desks, 10 lb. bags of rice and the "Midnight Chocolate Buffet" on a cruise, a cause for chuckles.

Laughing Without an Accent has plenty of laugh-out-loud moments for readers of any accent. Dumas' keen observations expose the silliness of herself and those around her with an endearing grace and genuineness, causing the reader to embrace her every word and yearn for just one more story.

Armchair Interviews says: Humor lies all around this talented writer.

Robert Maupin Beck, AKA, Iceberg Slim, one of the immortals produced from the black man's expierience in america, reminds me of many (not all) black men in america. He made a choice from the few choices he had and pursued it. Mack man.The difference between his book "Pimp" and all others, is that he purged and bared his soul. He saw his faults late in life, but yet and still, faced them. and denounced them. If any of us were in the same situation, could or would we do so? If other choices and conditions in his life were different,I feel he would be a success in whatever he chose. A BRILLIANT,BRILLIANT writer, I truly respect the man. In the times and conditions he grew up in, would any of us did different? How many of us would be willing to write a book as graphic and title it, "..........." the story of my life?

Thanks Mr.Beck

This is a good book. Its written from the (hipsters) point of view. You take what you can from it.

a fascinating read, the ultimate anti hero. a copmelling insigth into a real life character that is both praised and vilified. the best feature is the sincerity of the storytelling and the portrayal of the life of the pimp as neither a positive nor necesarily a negative.

I just finished reading this book for the second time, cover to cover in 2 days this time, it is possibly one of the best books I have ever read and keeps you enthralled throughout the whole read.Everyone should read this book because it really gives an insight into a world that most will never see.I have read all of the man's books and this is by far his best work although Mama Black Widow and Trick Baby are up there as well they just don't equal this masterpiece.They only have a 5 star rating but if I could this book would rate 10 stars.

"Pimp" is a dark, ugly book. It's author Robert Beck, aka Iceberg Slim spent much of his life as a pimp. It's written to leave a bad taste in your mouth. That is the intent of the author. This is a chronicle of how he wasted twenty-five years of his life.

Maya Angelou's brother told her a pimp is one of two kinds of men. Either he hates women or he fears women. The process of encouraging, enforcing a woman to sell her body is neither sexy or romantic. The life of a hooker, especially one working the streets is harsh and degrading. A `good' pimp only cares about using his women until they have no more left to give. Only someone who hates or feels the need to control women would make a `good' pimp.

Iceberg Slim hated women.

His father deserted them while he was a baby. Bobby and his mother lead a hand-to-mouth existence for his early years. Early on he is sexually abused by his babysitter. Stability came into his life when his mother marries an older man who was a successful businessman. Young Bobby loved his stepfather. They lead a comfortable upper middle-class existence until his mother runs off with another man.

The image of his stepfather crying in the street begging his mother to stay is repeated throughout the book. He took his hatred of his mother out on women - as a pimp.

Of course things go down hill for his mother. Eventually she gets her act together. But even though stability is restored in his life, Robert wants to be a pimp. Possessing a superior I.Q. (175), he was a straight-A student. In a time of blatant racial discrimination (the 1920s, 30s, 40s) he is given a college scholarship. But his path is set, the seeds of hatred planted years before take root and flourish.

For more details about his descent into depravity and his redemption - read the book.

His writing style is not polished. His language is not refined. But his imagery is stunning. He induces mood and feeling brilliantly. Mood and feeling are enhanced by his lack of polish.

The reader may have trouble with his slang. It's been out of style for 80 years. For example, "vines" means clothes. A woman "georgias" a man when she uses him for sexual gratification without paying. A "square" is a cigarette, etc.

I have noticed a disturbing trend. The black pimp is a role-model for some segments of society. Performers such as Ice-T extol the pimp lifestyle. Iceberg Slim is 'the man'. Whenever this book is discussed as a movie project, the gangsta rappers start lobbying for the part. These guys want to be like him. But not the man he became but the man he was - a depraved parasite. Some of them talk about this book as though it's the Bible.

While this is an excellent book, it is ugly. Richard Beck wanted it that way. He wanted to send a message against pimping and it's lifestyle.

Sometimes I wonder if these pimp wannbes can read.

The first thing that drew me to this book was the project on the cover. Already having other books by Terry Taylor, and especially loving Artful Paper Dolls: New Ways to Play with a Traditional Form I was curious what projects lay inside this book. Already having mixed media and home book binding experience I didn't find any truely new techniques but there are many pages of inspiration.

The project on the cover, The Queen of Tarts, has already got me thinking, as well as the retelling of Hansel and Gretel. Seeing how the artists worked has helped me give direction to one of my projects.

If you have other books by Terry Taylor this will go nicely with them. Looking for a gift for an artist old or young combine this book with the paper doll book or Altered Art: Techniques for Creating Altered Books, Boxes, Cards & More and let the creative juices flow!

This is a MUST HAVE in your art library! Many well known artists come together to show you there own kick of well known story books. I am a long time follower of Catherine Moore and Sandra Evertson and both have rose to the occasion as expected! This book shows you some simple book making techniques as well as ideas for your own books to make. LOTS of eye candy as well as how to's and ins and outs of book making. I made my first hand made book following the simple instructions and am truely pleased with the results! Next i am going to try my own style doll book! This is a good book to sit and relax and take your time and read and get inspired!!! WELL DONE! Buy this book then go make your own to cherish!

I Love Catherine Moore's stamp and art paper collection, I own them all and I am not even a doll person. She has a fresh look and an incredible imagination. The book met up with the cover. All the artists books in there are fantastic! Catherine and Terry Taylor(author) live up to there expertise they are known for.
This book is a look at many artists and how everyone constructed a childrens fairy tale book. Their lay out, plans,color choice, etc. You get a great glimpse on how they all completed their books.
As Terry says curl up for a nice bed time story, you get that as well as an an important art book that one must have for technique. I found as a quilter this was really good for me on balance, value and colors. You don't often see that in all the "art books" being made. These people are experts at their craft. They are all wonderful. The stories they chose and fantastic display of simple book making looking difficult.

I loved this book when it first came out and am now watching the miniseries all over again. It is wonderful to read and behold. Many of the family's lore has been proven to be fiction but does it matter? It is a great book and wonderful idea for a story. It brought back the idea of tracing people's roots that is still with us today. A wonderful read.

anybody interested in American history or family this is the book to read. Hailey is a must read for eveybody.

I read this book on Kindle a couple of months ago. I remember watching the mini series as a kid but had never read the book. I'm not going to go into the literary aspects because that has been covered, in it's good and bad points already. I will say I'm glad I've read it. I won't consider it a completely accurate history lesson, but it does make a person think past normal boundaries. This book is formatted well for Kindle, it had no formatting issues. The fact I read it on Kindle was "handy" because I could look up tribal phrases in the dictionary, or wiki with little effort and go straight back to reading.

Love reading this book after so many years! It reminds me that all men deserve dignity and repect. Also, freedom is not free. We all in one way or another has paid a price for freedom!

I love Roots and think the whole world should read it. It's an important and vital book about American history, family history, and triumph over hardship. I loved Roots the first time I read it twenty years ago, and I love it still, having just finished it yesterday, BUT...

1) If only Alex Haley hadn't plagiarized whole sections of the book (see Wikipedia's article on the author Harold Courlander)

2) If only Haley really HAD been related to Kunta Kinte (genealogists state he consciously perpetrated a hoax)

3) If only Juffure really WAS Haley's ancestral village (evidence suggests that the griot from modern Juffure with "memories" of Kunta Kinte's disappearance in 1767 was coached about what to "remember")

I found these fabrications depressing. And what's so sad is that I believe Haley had no need to lie and cheat, because he's really a top-notch storyteller.

This aside, though, I have a few other critical comments.

1) The book begins a slow descent into petering out after Kunta Kinte exits. The characters become increasingly wooden and one-dimensional. Kunta is great, Kizzy is good, Chicken George is fair, and everyone and almost everything after that is forgettable.

2) The book lauds having tons of children, mindlessly, and fails to criticize parents who have children and cannot provide for them. Haley makes it seem that having children and passing on the family name, no matter what horror the child risks getting subjected to, is the noblest of goals. I disagree! It sounds crass to say that slaves shouldn't have had children, but I hold all parents, slaves or not (rape victims being an exception), responsible when they knowingly bring children into a world of hell. (And Chicken George - a neglectful parent, to say the least - bringing 8 children into slavery? Nothing admirable there!)

Book was in excellent condition as promised. Packaged very well.
Thank you very much!

This is a wonderful, well written book. I would recoomend this to anyone who wants to understand Africa today.

I purchased the Book Africa a Biography of the Continent. This book gives a very a very complete back ground on Africa to included geography and formation of the continent. I have not finished reading the book but, will certainly appreciate the knowledge that this book contains. In the last two years I have made 10 trips to Africa for work and certainly appreciate knowing more about what makes Africa what it is today. Erin H. Milligan

_Africa: A Biography of the Continent_ by John Reader is a very well-named book, a through and engaging look at the epic story of this land, from its geological origins to its most recent political struggles. Though a thick book at 682 pages (plus appendices, endnotes, and bibliography), it is a wonderful read.

The introductory section laments that Africa has been "woefully misunderstood and misused by the rest of the world," and that humanity does not properly "recognize its debts and obligations to Africa." A question the author asks, and returns to again and again in the book, is why did the population of humans that left Africa 100,000 years ago grew at much faster rate, or conversely, what prevented the Africans from growing at a similar rate?

Part one was four chapters detailing the geological and paleontological history of Africa, the author noting that the search for missing links is a tradition in African paleontology ("an icon...hunted with fervor bordering on the zealous"), whether the links between reptiles and mammals, lower and higher primates, or hominids and modern humans.

Part two was fantastic, devoted to the origins of the hominids. Hominids he noted arose in an ecological diverse setting (there was no abrupt replacement of forest by savanna when they arose 7 million years ago) and that apes were preadapted for bipedalism (apes carry 60% of their weight on their hind legs, contrasting with 40% for most quadrupeds). Hominids may have evolved to become nomadic, to take advantage of an unexploited food resource, the natural deaths that occurred in the great east African game herds (research has shown that as much as 70% of all carcasses found in the region died from other than predation and are largely unexploited by the highly territorial carnivores). He also cited such researchers as Peter Wheeler, who concluded that "thermoregulation is at the root of all things human," that being bipedal gave hominids additional advantages (walking upright exposed less body surface to direct rays of the sun and allowed for more heat to be removed from the skin by convection by taking advantage of the cooling effects of being higher above ground) that allowed them to remain active in temperatures that would drive a quadruped to heat stroke.

Part three looked at the origins of modern humans civilization, spending a good deal of time on the importance of language and the increasing evidence that sophisticated modern behavior did not arise first 30,000-40,000 years ago among humans that had left Africa for Eurasia, but instead had occurred in Africa some 35,000 years earlier than that, the author providing accounts of the manufacture of sophisticated tools and early attempts at agricultural practices. A fascinating chapter was devoted to the spread of the iron-using Bantu-speaking peoples, who in less than 3,000 years expanded from their homes in modern Nigeria and Cameroon to colonize virtually all of sub-Saharan Africa, "an event unmatched in world history."

Part four was an immensely interesting section, detailing many interesting African civilizations, including the Aksum of Ethiopia (whose influences at its height extended into Arabia and developed Africa's only indigenous written script, Ge'ez) and Jenne-jeno (an urban civilization of the inland Niger delta in Mali that was not hierarchical and lacked centralized control yet was quite prosperous). The history of African agriculture is well-covered, noting the importance of bananas and plantains to the diet, the differing practices of raising cattle for milk versus beef (surprisingly interesting), and the fact that elephants were a real impediment to African agricultural development until comparatively recent times. Slavery is also covered, as the author stated that between 30-60% of all Africans were slaves during historic times, far exceeding the number taken from the continent by the slave trade, these being slaves used within Africa.

Part five examined early European exploration of Africa and the origins of the Atlantic slave trade and also delved into many aspects of African political and economic development, noting how various factors, such as unpredictable climate, disease, problems of food production, the need to maintain voluntary and cooperative trade links, and the age-set system of rule mitigated against the development of powerful, densely-settled African states (and the disadvantage this would put the Africans at when facing Europeans). Reader also spent a good deal of time noting just how profoundly four centuries of slave-trading "seized the entire social and cultural ethos" of Africa, leading to destruction of some peoples, the creation of others, and the commercialization of African economies (sadly, even after the abolition of the Atlantic slave trade indigenous slavery not only continued to exist but actually expanded).

Part six largely dealt with the history of South Africa. Surprisingly, the Zulu state owes is existence less to the rise of Shaka than popularly thought, as it was "squeezed into being" between spreading white settlers in the west and the disruptive activities of slave traders to the east. Early established labor practices for African workers in the Kimberly diamond fields and Witwaterstrand gold mines would have profound implications and influence on Africa, firmly establishing Africans not as true employees but something to be exploited.

Part seven looked at the European scramble for Africa, the horror of King Leopold's Congo and its "carnival of massacre," some of the political legacies of European colonies (177 different ethnic groups according to one study are divided by European-established national boundaries), why Africans accepted the "the thin white line" that was colonial administration, and the profound impacts of the rinderpest plague, which killed a staggering 90-95% of all cattle in Africa between 1889 and the early 1900s, leading to a disruption in agricultural practices and the return of the tsetse fly to large swaths of land (many famous game parks such as the Serengeti exist today largely thanks to this plague).

Part eight examined the genocide in Rwanda and Burundi, the causes of Africa's frequent coups, and why prosperous, stable democracies are virtually unheard of in sub-Saharan Africa (the author examined the "Botswana exception").

The beauty of John Reader's "biography" of Africa is that he steadfastly keeps his focus on the continent as a whole. Although you'll read about prominent natives such as Lewanika and Lumumba and colonialists such as Leopold and Livingstone, they are presented more as examples, whether heroic or demonic, than as determining influences. This is no History of Great Men.

Instead, Reader's investigation focuses on the land and its inhabitants (human, animal, and vegetable). Indeed, humans barely make an appearance in the first couple of hundred pages. In the opening chapters, Reader canvases Africa's geological beginnings, its environmental advantages and limitations, its fauna and wildlife. The book's broad outlook is much like Jared Diamond's survey in "Guns, Germs, and Steel," although Reader's approach is more hesitant: he does not suggest environmental determinism as a primary factor in the development of African civilization; rather, he merely emphasizes its importance.

After investigating the creation of the setting, Reader then populates the stage with societies through several millennia: from the migration patterns of smaller tribes to the rise of civilizations like Aksum. His chapter on how the annual flooding of the Niger River resulted in the Jenne-jeno mounds ("cities without citadels") is masterful; similarly, he ably details the dislocations caused by more infamous scourges, from the biological menace of the tsetse fly to the man-made affliction of slavery.

When Reader reaches the era of European hegemony and its aftermath, however, he often (and understandably) can barely contain his disgust. The murderous exploitation of the Congo (this section echoes Adam Hochschild's best-selling book on the subject); the ways which Europeans exaggerated ethnic affiliation and favored one group over another as a method of control; how the artificiality of Africa's national boundaries has fostered two-bit dictatorships and recurrent military coups--none of these topics is new, but Reader integrates them in a coherent whole. "Thus the tribal distinctions that were established to facilitate administration during the colonial period in Africa became substitutes for the social and economic distinctions which have inspired political reform throughout history and around the world." In other words, economic and social discontent became polarized "along ethnic lines--with dreadful consequences."

It's impossible in a brief review to do justice to a book whose historical scope is so broad, and it would be easy to pick out areas of omission (e.g., north Africa is largely ignored, especially the Berber influence and the Islamic incursions). Suffice it to say that this volume, in spite of its ambition and shortcomings, makes for endlessly fascinating reading.

I ordered this book for my daughter,for college. She is very pleased with it.

Frederick Douglass was a social thinker in his time. The book was
first published in 1845 by the Anti-Slavery Office. A memorable
quote is presented:
" I was born in Tuckahoe near Hillsborough and about 12 miles
from Easton in Talbot County, MD. I have no accurate knowledge of my
age, never having seen any authentic record containing it.
By far, the larger part of slaves know as little of their ages,
as horses know of theirs and it is the wish of most masters within
my knowledge to keep their slaves thus ignorant."

Frederick Douglass tells of the cruel whippings of slaves.
He describes Mr. Severe who was both cruel and profane. There are
recitations of trips to the Great House Farm in order to pick up the
monthly allowance by slaves. The book chronicles his plan and
success in escaping slavery. He was wary of the "Underground
Railroad" because it stimulated masters to increase their
general surveillance and watchfulness over the slaves.
The work contains an eye-opening recitation of the treatment of slaves
even a half century after the Constitution was written.

"The Good War" - Studs Turkel's 5th oral history - was published in 1984. Like most of his other books, this too was a "best seller". Turkel has put together excerpts from some 124 interviews with people who lived during the war years - ex-military officers and enlisted men, defense industry workers, atomic bomb scientists, celebrities, politicians, Jews, Japanese, Germans, Russians, men, women, blacks, native Americans, rich, poor, younger, older. I've missed some, but you get the idea.
The war, notes Turkel, was good for most Americans, ergo - the title. After a long, lean depression throughout the country, there were again plenty of jobs, plenty of money, and plenty of hell-raising. Also, Americans were happy to work hard and to lend their support to the war effort - in whatever way they could - because they thought they knew why the country was at war. Maybe they did, maybe they didn't. Most active participants in the war survived the experience: there were 129 million Americans at that time, 5 million served on active military duty, 1 million of those were killed, wounded, or injured in the war. Most Americans interviewed considered the war years generally happy ones. Many of those who served in the military considered their war-time experiences the most exciting times of their lives.
When people spoke to the tape recorder about their lives during the war years, they automatically came up with the most exciting, most memorable, most tragic, most funny, most whatever - because these are stories that they've been thinking about, telling and retelling for over 30 years. That's what makes this book so readable. It's definitely not boring and it's definitely informative. Many people recalled a specific moment in their lives, when they were unbelievably lucky, and because they were lucky, they survived with their life.
In my view, if you are going to read just one book about WWII, this should be the book!

Studs Terkel's The Good War is a very entertaining set of oral histories about World War II. By allowing people to tell their own stories in their own words, Terkel sweeps his readers along on a fascinating trip back in time. Even at roughly 600 pages, The Good War is difficult to put down.

The Good War definitely will encourage you to think. Terkel wants his readers to ponder whether war can ever be justified. Another poignant aspect of The Good War is the fact that the vast majority of the interview subjects must be deceased by now; in fact, several died before the book's original 1984 publication. The Good War is the sort of book that will force you to reflect, even long after you have finished reading it.

While I would recommend The Good War, it is possible to offer a few criticisms.

As several reviewers have noted, Terkel is devoted to debunking the notion that WWII was, in any way, good. If there was a problem in those years, Terkel doesn't just cover it, he covers it at length. The fact that Terkel wants to take away our rose-colored glasses does not bother me. But I have been lucky enough to meet many World War II veterans; most of them are much less critical of WWII than are Terkel's interviewees. So, I wonder whether we hear from a disproportionate number of malcontents.

Another criticism is that Terkel tries to take on too much - even for 600 pages. The book meanders onto a number of topics that (while interesting) stray a bit far from WWII. For instance, Terkel has strong interests in the Spanish Civil War and the Cold War. These sections may be too far from the "main" story for some readers' tastes.

On the whole, however, The Good War is a fascinating look at a lost era. You will be entertained and you will also be left with much to think about after you finish.

No wonder he won the pullitzer for this book. WOW! This is an eye opening account of WWII and those who were around back then. The interviews tell 1st hand accounts of soldiers, wives, daughters, husbands sons who experienced life during this tumultuous time in history. Parts are disturbing but get down to the numbness of war and how in a time of crisis the grossness of war can seem normal. Also, very touching and poignant.

If you have even the slightest interest in history in general, or just World War II specifically, you HAVE to read this book! The Good War is a national treasure containing a broad cross-cut of the generations of men and women who lived through a horrible and fascinating era. This is not a history as you've known history. This is history as a living, breathing entity. If you're skeptical of my enthusiasm, just try to get through the first chapter without wanting to read the rest of them.

These interviews are guaranteed to affect you. This is the perspective that history so often overlooks: the views of the everyday man, woman, and child at ground zero--those who experience history first-hand.

I expected a history of the war through eyewitness accounts, but got a collection of cherry picked anecdotes selected to make an anti-war statement. Some of the stories are interesting and revealing of aspects of the time, but this is not a definitive history of WWII by any means.

Book came on time and in the quality I was expecting. Thanks will purchae from here again. Thanx

Gene Simmons proves yet again that he can tackle any subject and make it very entertaining. Even for people who are not fans of the greatest band in the world, this book is very informative and fun to read. This book will definately hold your interest until his next book (his adaptation of The Art of War)arrives. Thank you Gene!

This is a great book to have on your coffee table & spurs conversation, just like I thought it would when I bought it..! Gene is eloquent and has a great sense of humor, making the book enjoyable to read & the sections and chapters are divided, so you can just read a couple pages at a time as can friends who stop by and pick it up..!

It is also a very classy looking book with a nice cover, hardbound with soft colors that match any shade of wood table..!

Well worth the $25 I paid for it & highly recommend it..!

Marcus

This book is a very easy, fast read. Since it's clear that Gene and his co-author (Julie McCarron) had done their homework, I wish they had included their sources, because I'd love to be able to cite some of the information that was included. Since they chose to omit references, that leaves it an entertaining book, but unfortunately not one that can be used credibly in serious discussions on the topic.

I understand that he wrote this to reach the widest audience possible, but I think it could have easily been written at higher than a third-grade reading level: as most people have graduated high school these days, if not attended at least some college.

Overall, this is still a very beautifully-produced and enjoyable book.

Gene has had a tendency in the past to be somewhat obnoxious in interviews and in his writing. However, this time out he has written a well thought out book that is very fun to read. It provides a high level overview of the "oldest profession in the world". It is interesting and thought-provoking. I think you would be hard pressed to disagree with Gene on this one!

I had the pleasure of meeting Gene Simmons and obtaining an autographed copy of this book. I didn't know what to expect but I highly recommend it. It makes a great coffee table book as I was having a party and decided to leave the book on the table. Wouldn't you know we all got into the discussion of prostitution. This was all done in a tasteful matter with lots of research. The book itself is absolutely beautiful! A definite must read.

"Write about what you know," is an old axiom for would-be authors. Janisse Ray takes this to heart in "Ecology of a Cracker Childhood." Part autobiography and childhood memoir and part an ecology of plants and animals, this is a wonderful tale that successfully blends both.

Janisse Ray is writing about what she knows best. The human dimension to her tale is a tale of growing up with her family in the natural world. The family home sits in the middle of a junkyard along old Route 1 in southeastern Georgia in a forest of longleaf pine. It is a coming of age story, where she is clearly destined for a horizon beyond the junkyard in the pines.

She is solidly grounded in her childhood environment, low on the affluence scale, but one which has prepared her well for life. "Ecology of a Cracker Childhood" conveys a great sense of place and will give the reader a newfound respect for a forest of longleaf pine.

I bought this book at the Visitor Center at the Okefenokee National Wildlife Refuge, not all that far from Baxley, Georgia. I am glad they stocked it in the store. Reading this put me on to "Pinhook," her next work which I also recommend.

We noticed when we moved south to Georgia some twenty-five years ago that in many ways we'd dropped back in time. Janisse Ray was born in 1962; it may as well have been 1932. I thank her for sharing her knowledge of the flora and critters around her - many now gone forever. Whenever I see a long-leaf pine from now on, I will treasure the sight.

All of Janisse's work, but most especially Cracker Childhood, is so very much a snapshot of South Georgia. She grabs you, her reader, by the hand and transports you to her South -- a South where Gone with the Wind is just another goofy movie starring a British actress, a South where Faulkner defied and defined a culture, a South where loggers are systematically erasing the long-leaf pines that once embraced elemental hard-scrabble lives. If you are game for an adventurous romp through dismal swamps, junk yards, and back woods then this is the read for you. Once you take it up you will be loathe to put it down.
Thank you, Janisse, for a wonderful trip!

"Ecology of a Cracker Childhood" is probably the most moving autobiography I've ever read. By turns heartbreaking, inspirational, and motivational, Ray's story is one of an outsider in every respect; the daughter of a junkyard owner in rural Georgia, she faces a number of obstacles including her father's precarious mental stability. Looking back with a mix of fondness and acceptance rather than anger, Ray looks at how her environment (built and natural, as well as home) shaped who she became. Ray intersperses the book with chapters on long-leaf pines, gopher tortoises, and other uniquely Southern flora and fauna that is endangered and rapidly disappearing. While it may be jarring to the reader, Ray is making a larger point; we are forcing the environment to adapt or die to suit our needs rather than adapting to the environment. Ray writes lovingly of how nature slowly reclaims the wrecked hulks of cars in her father's junkyard; nature slowly, steadily winning over man and man's folly. Along the way she recounts unusual tales of her difficult path to adulthood that are profoundly moving. In some respects the chapters are by turns explanations and a badge of honor rather than excuses. Her recounting of a rare visit to the North will likely register profoundly with any Southerner who has ventured there. Perhaps it is because Ray and I are the same age or perhaps because our backgrounds are eerily similar, but I feel a connection and a deeper understanding and appreciation for where she's coming from and who she is. Ray is unabashedly unapologetic and "Ecology" will alternately move you to fits of laughter and sometimes nearly to tears, but it will not leave you unmoved.

This book combines a nostalgic autobiographical look at the author's childhood in the 1960s and 70s in Baxley, a small town located in the coastal plains of Georgia, with an examination of the deteriorating ecosystem of the region, in particular longleaf pine forests. The flow of the book is decidedly non-chronological as she interleaves various family vignettes with commentary on a range of environmental concerns, often focusing on the huge reduction in various animals of the region such as the red-cockaded woodpecker, the gopher tortoise, or the indigo snake and the relationship to the loss of longleaf pines. Ultimately, it is left to the reader to draw the connection between cracker culture and the ecosystem.

The author traces her roots to Borderlanders, of English-Scottish origin, who settled the region in the early 19th century. They were known as "crackers" which has become synonymous with "redneck." She grew up on the side of US-1, the main North-South highway of the time, in a clapboard house situated in the midst of her father's junkyard. That was the playground and learning environment for the author and her siblings, seldom having much interaction with others.

The author holds her father Franklin, named after Pres Roosevelt, in great esteem. As were many in rural areas, he was a tinkerer and seat-of-the-pants mechanic and a supplier of used parts to similar persons. He was also a religious fundamentalist, driving his family many miles to attend services of a small, predominately black sect. He enforced rigid standards of dress and behavior on the entire family. However, he also was inclined to aid the downtrodden and hurt, either man or animal. Though the family seemed rather poor, a contradiction is that on at least two occasions her father bought tracts of land.

As perceptive as the author undoubtedly is, she turns a mostly accepting eye to a culture that was most assuredly ignorant. Her father and grandfather, Charlie, were men of violence, Charlie having a reputation of having beaten any number of men half to death. Frank was quick with the strap, seeing fit to administer whippings for the mere observance of a boy killing a turtle that had clamped down on his shoe. The author had to hide from her father the reading of books or the watching of television at her grandmother's. Both her father and grandfather were admitted to the hospital in Millegeville, GA for the insane for a relatively short period. One wonders if cracker culture itself contributes to unstable behavior.

In addition, for a book concerning the culture of 1960's rural Georgia, there is a puzzling absence of any commentary on race relations, other than attending church. There is little in the author's recall of her childhood that suggests how she managed to end up at a small college in north Georgia on scholarship - was it because of her childhood environment or despite it?

The environmental destruction of the coastal plains predated the author's birth by several generations. Like many from rural areas, the author was comfortable with plants and animals. But neither she, her father, or their neighbors were in any sense environmentalists. Undoubtedly, her past made her gravitation to the subject in college a not unnatural development. But her growth to environmental activist is absent in this book. It seems to be assumed that the reader will understand such a trajectory.

The book is spotty, vague, and even at times seems like a fairy tale. The author's recall of climbing trees and laying on the ground communing with nature as a child is undoubtedly now viewed through poetic license. In a not untypical approach, she chooses to discuss the ecosystem by having lightning, clouds, and trees hold a discussion about their roles. It's difficult to pinpoint what the author is attempting to convey in her reminisces about her childhood with good-natured, yet violent and ignorant, people and her focus on ecology. Her discussions of clear-cutting old-growth forests and replacing them with tightly packed, quickly growing, and environment-killing tree farms is not well tied to "cracker" culture. Nor is she inclined to search for culprits.

Does cracker culture exist today? Should the reader be alarmed or appreciative? Is cracker culture a hazard to our environment? The author seems to be leaving the answer to questions like these to the reader. Some might well expect more from the author.