Entertainment Books

When I was in film school there was a lot of film history and film theory, and no one talked about television often enough for us to learn anything worth while about it. I now work as a television director, and it was this book that taught me the "business" aspects of the industry. Without this book I would probably be out of work or directing the local news someplace like Lima, Ohio.

This book is so hot that it's been stolen from my office library 3 times. I'm on my 4th purchase of this book. I felt like I could have an intellegent conversation about any aspect of the television business after using this book. It is my main resource for getting quick answers that are easy to understand. This is required reading for those getting started and a great resource for those that have been in the industry a while. It also includes a computer disk containing forms such as U.S. Copyright registration and others found in the book that you can import to your word processor.

Ron Hebert
Producer
2002 Emmy Awards - Pacific Southwest Chapter

This Business of Television is a landmark volume in our practice (entertainment industry economic forecasting) for three reasons.

Reason # 3: it is incredible that guys of this stature would take the time to compile such an essential and complete perspective of the television business. Goodenough, a seasoned entertainment lawyer, law professor, and a scholar pioneering the study of law and evolutionary biology, brings the structure and rigor, while Blumenthal, a prolific TV, multimedia, and online entertainment producer and businessman brings the been-there-done-that street savvy.

Reason # 2: it is, after all, the business that pays for the content (the subscriber, pay-per-view, advertising, syndication, and the latest, e-commerce revenue models) and the content that drives the migration to new technology (streaming media webcasting and video-on-demand, interactive TV, and wireless). The clear understanding of the financial systems supporting television and video entertainment offered by Oliver and Howard in this book facilitates the modeling of future monetary transactions.

Reason # 1: video programming spread from broadcast to cable and then to satellite in one generation. The last decade found it spreading to the PC via CD-ROM, DVD, and broadband Internet. In the future it will be found on our cell phones, wristwatches, car seat backs, and refrigerators. There will be innovations in business arrangements along the way, but those who cannot converse in the basic economics will be doomed.

This segues into a jacket quote by Morty Morton, former producer of the Late Show with David Letterman, who remarked, "This Business of Television has gotten me through years of moderate success in the TV business. I'm now ready to burn the damn thing and open a restaurant."

This book (textbook) is an excellent resource for just about everything in TV. The disk included is a great utility to have for printing out your own contracts. I only with this book could be updated, say, every two years.

This Business of Television is a landmark volume in our practice (micro-economic forecasting for the entertainment industry). Here are the top three reasons why.

Reason # 3: it is incredible that guys of this stature would take the time to compile such an essential and complete perspective of the television business. Goodenough, a seasoned entertainment lawyer, law professor, and a scholar pioneering the study of law and evolutionary biology, brings the structure and rigor, while Blumenthal, a prolific TV, multimedia, and online entertainment producer and businessman brings the been-there-done-that street savvy.

Reason # 2: it is, after all, the business that pays for the content (the subscriber, pay-per-view, advertising, syndication, and the latest, e-commerce revenue models) and the content that drives the migration to new technology (streaming media webcasting and video-on-demand, interactive TV, and wireless). The clear understanding of the financial systems supporting television and video entertainment offered by Oliver and Howard in this book facilitates the modeling of future monetary transactions.

Reason # 1: video programming spread from broadcast to cable and then to satellite in one generation. The last decade found it spreading to the PC via CD-ROM, DVD, and broadband Internet. In the future it will be found on our cell phones, wristwatches, car seat backs, and refrigerators. There will be innovations in business arrangements along the way, but those who cannot converse in the language of economics will be doomed.

The second edition proudly bears a jacket quote by Morty Morton, former producer of the Late Show with David Letterman, who remarked, "This Business of Television has gotten me through years of moderate success in the TV business. I'm now ready to burn the damn thing and open a restaurant."

As a lover of M*A*S*H I jumped at this book and I'm glad I did.

Alan Alda paints the portrait of his life with beautiful detail. I learned about the relationship he had with his parents. I didn't find the relationship he had with his dad to surprising. I sensed that a lot of who he is today comes from the foundational relationship he had with his dad.

His mom on the other hand was very interesting to read about. I could sense his pain as he described what their relationship was like and at times how he wished it could have been.

I wish he had spent more time on MASH memories and such, but I don't think he should have taken out anything that was in there.

In short you sense the person he was that made him the person he is. I really enjoyed it. Anyone who loves MASH, or is just an Alan Alda fan should grab this book.

First of all, let me start out by saying that I have been in love with "Hawkeye Pierce" since girlhood. I grew up watching reruns of M*A*S*H and wishing I was a nurse, girlfriend, or anyone who could be close to this dynamic persona that was Alan Alda. I purchased the book, eager to know more of my childhood crush and was not disappointed. Alan Alda has a sincere writing style that makes you feel like you are in his living room as a trusted friend--rather than as a mere reader trying to find out more about his life. Many times, I laughed out loud at his wonderful stories and recollections. I am very eager to start his next book--which could not be disappointing if only half as good as his first. Thanks Alan Alda--but you will always be Hawkeye to me.

This tale contains much more about lessons of life than a famous TV star's autobiography. Alda discusses everything from his best moments on the road with his father's traveling stage-show to dealing with the mental illness of his mother. This is a must for any MASH fan who wants to know the unique journey of its star. You will not want to put this one down.

Alan Alda titled his new book Never Have Your Dog Stuffed -- and Other Things I've Learned. But rest assured he didn't write it as a guide for self-improvement. He doesn't aim to be your guru. "I tried to tell as good a story as I could," he sums up. The resulting narrative, at 224 pages, is as lean as its author, and as engaging, and as flush with ideas and observations. "There are things that were very, very difficult to put into words," says Alda, at 69 an entertainment veteran actor who had written numerous screenplays but never a book. "That was what I had the most fun with - the things that don't want to go into words. "But the hardest part was how to take a life and make it one simple story, not just a bunch of anecdotes. I didn't like the idea of writing a memoir or an autobiography. I only put in stuff that moved the story forward." The story: One man's advancement toward accepting the uncertainties of life. Letting go, notes Alda, is a drawn-out process, "so you don't just decide to do it. You have to creep up on it. Practice it. Get used to it. "I think the guy who winds up at the end of the book would say, 'Destiny is just what happens. " Alda should know. A lot has happened for that guy this year. He got an Oscar nomination for his role in Martin Scorsese's The Aviator, a Tony nomination for his Broadway performance in David Mamet's Glengarry Glen Ross, and an Emmy nomination for The West Wing, in which he plays flinty Republican presidential hopeful Arnold Vinick. He continues this season on the NBC political drama, and, for its Nov. 6 episode, Sen. Vinick will square off against the Democrat (Jimmy Smits) in a debate aired live. Which candidate will succeed President Bartlet (series star Martin Sheen) by season's end? " I wouldn't spoil the surprise even if I knew," Alda replies when pressed for details about his contractual commitment to the series. But then, flashing his incandescent grin, he pledges to remain "as long as necessary to turn this great country around." When he isn't shuttling to Los Angeles to shoot the series, Alda leaves his Long Island home to hit the campaign trail for Never Have Your Dog Stuffed. Its first sentence establishes the book's matter-of-fact, often darkly witty tone. "My mother didn't try to stab my father until I was six, but she must have shown signs of oddness before that," Alda writes. He was the son of a mentally ill mother and an actor father, Robert Alda, who was subject to the vagaries of show business during a career that ranged from the hardscrabble vaudeville circuit to Broadway in the original production of Guys and Dolls. All in all, it was a dizzying childhood for Alan. But by age nine, he had decided he would be an actor, too, setting the stage for his push-pull life of embracing make-believe while defiantly inquiring into how things really are. He is a man in love with facts and verifiable truth (his decade as the gung-ho host of Scientific American Frontiers makes that clear). But he has also studied what it means to yield control to forces beyond reason.

I've been a fan of Alda's work for a long time. The man is so talented it's unreal. Now to be able to see where he came from and how he got into the spotlight is amazing. He uses certain elements in his life where, had it happen to you or someone you know, it would be depressing, and turns them into amusing learning experiences. I am a constant reader, however 99% of what I read is fiction, nonfiction never grabs my attention. But I could not put this one down. Please read it. You wont regret it.

I have been singing for awhile, this book is straightforward, great for conditioning, obviously I can see why he has dealt with "pop stars", I think the other reviewers were simply looking for something elementary. I am practicing diligently with this one now, so far so good.

This book has already helped me and I've only had it for 2 weeks. The simple techniques that Seth Riggs uses help to make you sing correctly. This is especially good for singing and speaking.

This book is standard nothing special. Like most books in this genre you don't leave feeling that you and tackle any songs as the exercises are weak or usually lack of them. What I would recommend is `an introduction to singing with style' I came across this book quite by accident on amazon.co.uk and it has helped me a lot. It goes into great depth about how to develop a great singing voice, vocal projection, vocal clarity and this book even tells you what diet to avoid and what food is good for healthy living it's amazing! If you're looking for vocal stamina then this book has it! It is packed with breathing techniqe too so there you have it

This course has done more to improve my voice in a few short months than all of the vocal coaches that I have had put together. It doesn't try to teach you to sing like some one else. It just shows you how to get the most out of whatever you have been gifted with and sound like you at your best. It will also teach you how to be able to keep singing for years to come without damaging your voice. It will make you the best you can be and help you keep that. Buy it and use it! You will be glad you did.

I do agree that it is way too full of testimonials. But regardless, the method is the best out there and the exercises on the cd are great. The philosophy is that there really is no distinction between the chest and head voice. ( and all good voice teachers know that there are even more changes) It's kind of like an automatic car if you think about it (or even a stick once you know how to drive it and it's just instinct) That there are shifts that take place in your throat but it's none of your concern. The more you think about it, the more prominent they will be and this method teaches you to use your whole range smoothly. People get so caught up in what's "high" and what's "low" but dynamics are what makes the voice interesting to listen to so the smoother the tone, the more flexibility you have. Ahh, I could go on forever.

It's a good guide and as a book, it's a very good lesson.
My best advice as a vocal coach is to find a teacher that teaches exactly the genre you are interested in learning. I was first trained in classical, then jazz, then finally rock and pop. That's where I took off and that's what I teach now. Most of the students that come to me are in rock bands and many have had previous lessons with classical teachers who taught them to sing classically which is really different from singing pop music. For instance, the breathing is VERY different. You don't need nearly as much stored up for pop music.

If you want to sing rock, find a rock singing teacher and preferably one that is familiar with this method of speech level singing as this is the best method out there. And watch out, there are many stubborn teachers out there who will teach you to sing how they sing which will only work if you have the same tone.

Good luck everyone.

I'm not completely finished with this yet, but from what I've read so far, it's definitely interesting. The title isn't very accurate in my view, and I'm sure many would agree- his life isn't all that boring. He does a bunch of mundane stuff, and he writes about that mundane stuff in a fairly matter-of-fact way, but still- there's something interesting about it.

I loved Clerks (didn't like Clerks 2 all that much), and I've seen a few of his other films. I'm not a mega-fan, but I like the guy in general, and I've enjoyed his work. He had a lot of interesting stories in An Evening with Kevin Smith, and this book is much like that. The stories are much shorter and not as interesting reading them on paper, but still- it works.

There are laughs, some really moving parts when it gets serious, some neat inside info. about his business (to a small degree). Uber fans will surely love it, and those like me who have enjoyed a few of his films will probably find it a good read as well. I'd give it a 4, but most of the stuff written about is just so mundane that I'd have to give it a solid 3.5

At this point in his career, it would be hard to put Kevin Smith in the top tier of directors, in the same league as folks like Eastwood, Spielberg, Scorcese or the Coen Brothers; he does, however, have a real cult following, of which I am a part. Besides the fact that he makes really good movies, he also has a just-one-of-the-guys aura, developed through his "Evening With..." DVDs of his speaking engagements and his film commentaries. My Boring-A$$ Life also promotes that reality (or very well-constructed image).

My Boring-A$$ Life is subtitled The Uncomfortably Candid Diary of Kevin Smith, which is pretty honest. Starting on March 20, 2005, the book begins as a daily chronicle of Smith's activities. Not just the movie-related items, not even just the extraordinary events, but even the most mundane activities, including bathroom trips and sexual acts. Admittedly, some of this wears thin in the early going, but the book changes as it goes along.

As the book evolves from pure diary to more interesting tales, it gets stronger. We follow Smith's first real acting role (in Catch and Release) and the lessons he takes from working for another director. We get the story of Smith's acting in the fourth Die Hard movie, and details of his work on Clerks II. There is a lot that's funny, but when necessary, he can be serious. This is most evident in his "Me and My Shadow" entries, which describe Jason (Jay of Jay and Silent Bob) Mewes's coping with drug addiction.

Overall, Smith seems to have a pretty good life: he makes decent money, he spends a lot of time goofing off, watching movies, having sex or hanging out with friends. Fortunately, he doesn't really crow about his good life but presents it matter-of-factly. It also helps that he is quick to point out his own shortcomings, most notably about his weight.

This is a great read, especially for Kevin Smith fans. It is, not, however, a really fast read (it is too densely packed with detail), but fortunately, it is structured in a way that allows easy breaks when necessary. If you have enjoyed films like Clerks, Chasing Amy or Dogma, here is your chance to learn more about the man behind these movies and have fun in the process.

I am a huge Kevin Smith fan so I loved this book. The diary style can get a little boring as Smith describes daily life but a true fan will enjoy the insight. The section chronicaling Jason Mewes struggle with drugs (Me and My Shadow) is a great read. Very touching.

i loved this book so much. if you are a fan of Kevin Smith you will love it too. He makes it impossible to put the book down and goes into detail about his far from boring life. i would recommend this book to anyone who likes a good and sometimes intense read.

This book is a great read. I'll assume that if you're interested in this book in the first place, that you are already a Kevin Smith / View Askew fan. Clearly, that's who this book is really for. And if you are that kind of person, the kind of person who owns all the DVD's, has watched all the commentaries, reads the boards, listens to smodcast, and in some crazy way thinks of these people as some bizarre one-way extension of your own circle of friends, then you will love this book.

This is the latest entry from the broadway series. These books are very useful for aspiring young broadway singers. The text includes a brief synopsis of the show as well.

This book is a good introductory book, but it should have probably been called "Beginning OpenGL". The Gaming part is mentioned only briefly, and for any detail you'll have to go to what's on the CD. The CD literally makes this a decent book to buy; without the CD the OpenGL Red Book is probably money better spent. The other fault of this book is that the images are sub-par; it looks like the authors themselves did the images instead of a professional graphics house.

If you need to get 3D graphics into your application OpenGL is a wonderful alternative. If you want to get up to speed with OpenGL this book is one of the best alternatives.
It's good to know a little about 3D math, and have a familiarity with terms like unit vector, transformation, and dot product, but it's definitely not necessary.

I'd recommend this to anyone.

On comparing this text to other OpenGL textbooks, I would like to point out that the explanations of graphical techniques in this text are very well done. The CD bundled with the book have excellent code examples of things like using height maps and input from DirectX. There are bonus chapters that cover advanced topics like curves and surfaces that obviously weren't in the actual book, and thus kept the final press cost down.

If you are starting out with OpenGL, then this book is the best I have seen to get you up and running.

If you are interested in cross-platform OpenGL programming then DO NOT buy this book, it is M$ Windows Dependant. The title should have been "Beginning OpenGL Windows Game Programming".

Overall this book was an excellent resource for getting on your feet with OpenGL.

It covers pretty much every basic topic conceivable along with touching on the some advanced uses of basic concepts. One thing that I found particularly annoying, however, was that the book claims to go into "much greater detail" concerning models later in the book, but after that line I found nary a reference to them. The author just uses the MD2 file format in the concluding "End Game" sample on the CD without ever having mentioned it in the book. Writing any useful graphics application requires using a model format, and it irks me very much that the book didn't cover it.

One other problem with the book is its age - it covers version 1.5 of OpenGL, while 2.0 has been out for a while now. But like I have already stated, it's a great book to jump into GL with.

Media Entertainment: The Psychology Of Its Appeal focuses on an empirical exploration and analysis of media entertainment's appeal to those seeking and experiences diversion, relaxation, excitement, amusement, bewilderment, and other alterations of prevailing experiential states and emotional responses. Dolf Zillmann and Peter Vorderer effectively collaborate to compile fourteen outstanding, informative, and highly recommended essays by experts in the field. These include: The Coming of Media Entertainment (Dolf Zillmann); Interactive Entertainment and Beyond (Peter Vorderer); Humor and Comedy (Dolf Zillmann); Conflict and Suspense in Drama (Peter Vorderer & Silvia Knobloch); Violence, Mayhem, and Horror (Glenn G. Sparks & Cheri W. Sparks); Sex on Entertainment Television (Bradley S. Greenberg & Linda Hofschire); Affect-Talk and Its Kin (Gary Bente & Ansgar Feist); Children's Likes and Dislikes of Entertainment Programs (Patti M. Valkenburg & Joanne Cantor); Sports on the Screen (Jennings Bryant & Arthur A. Raney); Music and Music Videos (Christine H. Hansen & Ronald D. Hansen); Video Games and the Pleasures of Control (Torben Grodal); The Respondent Gender Gap (Mary Beth Oliver); Personality and Entertainment Preferences (James B. Weaver III); The Aesthetics of Media Fare (Gerald C. Cupchick & Stephen Kemp). Enhanced with both an author index and a subject index, Media Entertainment is invaluable, informative reading for students of mass media and the popular culture.

I laughed till I cried. I have shared this book with my daughter and several friends. I like the fact that the chapters are short. I'm reading everything by Laurie Notaro I can get my hands on.

Laurie Notaro's books are a must-read for the smart-alecks in the crowd. Smart, witty, clever...she fits the bill. Make a note of it...anything by Laurie Notaro is worth reading.

I haven't laugh this hard in a long time.... I was having so much fun that I gave one to my daughter and she would called me late at night, just laughing and telling me which page to go to and it was a great bonding experience........It is awesome! thank you Laurie!

Laurie Notaro is my hero. She has a great writing style. Her stories are hilarious. I suggest every woman who has ever struggled to fit in and do the right thing to read her books.

Although I feel compelled to note, right up front, that humor is tricky and what one person finds funny may not appeal to another, I still think this book is one that MOST readers will find laugh out loud funny. I love every book Notaro has written and they've found a permanent place on my bookshelf because they're guaranteed to lift my spirits on even the worst days.

Hers is the kind of humor that I'm tempted to call a combination of humor and self-help because I ALWAYS feel better about my life after reading about her misfortunes (but not guilty, because she is able to laugh at herself and, besides, her books sell well, so I figure any temporary humiliation is offset somewhat by that).

Notaro has a knack for being totally shameless about exposing life's various insults foisted upon her - and making normally dull subjects seem funny (everything from having kidney stones to finding herself traumatized and in a state of near nakedness, quite by accident, at Disneyland (yes, DISNEYLAND).

She is quick to point out her character flaws as well. She can be impatient, clumsy, drawn to the wrong type of boyfriends (until she found her husband) and prone to the most embarrassing experiences. Somehow this makes for a great read. I relate to her and I think a lot of others will.

I should note that this may fall into the type of book known as a "woman's book" and I'm not sure how many men will relate to this one. I hope I'm wrong about that.