Fiction Literature Books
Related Subjects: Fiction Women Fiction
More Pages: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250

Used price: $0.58
Collectible price: $15.00

I love his writing.. Review Date: 2008-07-30
Nobody's FoolReview Date: 2008-06-04
Sully is a guy who hogs bad luck. He takes whatever work he can get (when he can get it), but an arthritic knee and the worker's comp people determine to make that a difficult task. He lives in a small-town that loves him and hates him and loves to hate him and hates to love him.
Typical small town.
Speaking of, Russo's characters are brilliant. They never do or say what you expect them to, but when they do or say that, you know that's exactly what you expected of them. I lived with these people in New York, and I'm going to miss them.
And then there's Russo' wit! I'm not just talking witty dialogue, which there's plenty of. I'm not just talking witty writing, which abounds. Something runs deeper than that. It's the wit of life. The wit that comes from knowing people. Really knowing them. They're everyday people, not outlandish, quirky characters. Everyday. Which means outlandish and quirky, but not because Russo had to try. He didn't have to put in extra trick. He just wrote people.
In the end, you feel content. Content with who Sully is (and his landlady and her son and Sully's best friends and son and...). And really, you feel content with who you are. Somehow, this book made me look at my life and think, you know, I like it. Who cares about such-and-such? This is how it is, and I like that.
Funny then wordyReview Date: 2008-04-22
A wonderful novelReview Date: 2008-01-11
One of my all time favoritesReview Date: 2008-02-16

Used price: $2.79

Fabulous Classical LiteratureReview Date: 2008-08-10
What a great adventure!Review Date: 2008-06-24
Sutcliff ExcelsReview Date: 2008-04-26
Alan Lee's watercolor illustrations are beautiful and keep the youngest listener sitting quietly to hear the story while seeing the pictures.
The characters and the story are so easy to read that it is an easy transition to pick up Homer's Odysseus and read it.
If you are an adult and have never read Homer's version, I highly recommend reading this for your own enjoyment as well.
A Very Good Choice for 6th-8th Graders, Especially Boys Review Date: 2008-04-06
This version of the book The Wanderings of Odysseus, which we read over the course of 3 1/2 weeks (approximately a chapter each day), was a big hit with my class. The majority were very enthusiastic readers; nearly all the boys were reading ahead of schedule. They understood the plot, could retell each chapter, and could identify nearly all the characters.
The reading level was just right for the purpose I had in mind for my middle schoolers. (NOTE: my purpose was to move quickly and happily through a retelling of classic Greek/Roman literature, rather than to challenge the class with demanding literature.)
This book is entertaining without being sensationalized and accessible without being condescending. The illustrations of the larger, more expensive hardback version are splendid, but we did well enough without them.
Furthermore, Rosemary Sutcliff's faithfulness to the details and the tone of Homer's Odyssey is commendable.
I believe my students now have a solid albeit basic foundation for further reading in Homer, or for handling The Odyssey.
I highly recommend this paperback retelling (as well as the magnificently illustrated hardback retelling) of the Odyssey to advanced 4th/5th graders, to all 6th-8th graders, and also to older students and adults who are still unacquainted with classical Greek literature.
Superb!Review Date: 2008-01-30

Used price: $6.43
Collectible price: $75.00

Never thoughtReview Date: 2008-06-18
historic romance honestly doneReview Date: 2008-01-22
Mark Twain brings Saint Joan to life!Review Date: 2007-07-17
I think the very fact that Twain would even choose to write a biography about Saint Joan is a further testament to her greatness. Twain was personal friends with U.S. Grant and could much more easily have written a biography about him. He also lived at a time when some of the greatest military leaders ever lived like Lee, Jackson, etc., so if all he had been looking for was a famous military leader he could have also chosen one of them. Obviously, he was looking for someone even greater to write about. I think his own words probably explain why he chose Saint Joan when he said that: "She was perhaps the only entirely unselfish person whose name has a place in profane history."
Whether you are a Saint Joan devotee or not I think you will enjoy reading this book. It is well written and easy to read and covers one of the greatest stories in world history. If you already know about the life of Saint Joan, I also think you will end up loving this account because of the way Twain brings her to life. Definitely one of the best of all the biographies written about Saint Joan of Arc and considered by Twain himself to be his greatest work. Five stars are probably not enough.
An Astounding StoryReview Date: 2007-08-09
The book is narrated by Joan's aide-de-camp, and childhood friend, as an old man telling a story to his grandchildren. And what a story he tells. Of the transformation of a poor village girl into the military savior of France from the English invasion, while hardly more than a child. A transformation which not only resulted in the military hero of the century, but which is at its center based on Joan's love for God and trust in his miracle. My book buddy Marcia Makepeace read Joan of Arc, as her 21st book, in this the 30th day of our 60 day readathon. I'm close behind with 18, reading furiously in San Francisco.
Beautiful and hauntingReview Date: 2007-04-27
It is told in beautiful and moving prose, with Twain using his skills to their utmost, proving by eyewitness the sanctity and goodness of a peasant girl raised to the level of a saint by the blessing of God. Twain, inspired, is quite unmatched in his use of imagery and emotional appeal. The novel is quite stunning in places.
On a historical note, though the words Joan speaks and the events are true, Twain takes liberty with minor characters and their lives in order to follow Joan more closely and give some much-needed comic relief.
Also, on the flip side of the story of the beautifully pure maiden turned warrior, is an indictment against the church who allowed an archbishop to carry out an evil scheme in order to further his own career, and against the King of France who failed to save the girl who saved him.
I will never forget this story, or the faith and courage of Joan of Arc that shone so brightly against the corruption and sin of the church in that age. I am so glad I read this novel.

Used price: $6.87

"We" is "1984"-lite (another reader's thoughts)Review Date: 2008-09-28
While it is an established literary fact that Orwell's "1984" was inspired by Zamyatin's "We," I'd like to "caution" the reader who has already read "1984:" "We" is a "1984"-lite. If you are jonesing for an other dose of Orwellian Dystopian Goth, you won't find it in Z's "We." Zamyatin was fortunate enough to write before the Stalinist purges of the Soviet 30s - and, as a result, he had been spared the real Big Brother extremism that Orwell had witnessed USSR go through. Therefore, "We" is less dystopic in its effect.
It is also a bit less philosophical than the "1984." It does, however, make a couple of intriguing "mathematical" contributions. Whereas "1984" is infamous for its "2+2=5" equation, "We" offers a psychologically astute examination of love through the following algebraic function: L = f(D), where L stands for Love and D for death. An indeed, if Love is a process of disidentification from oneself, in parallel with the growing identification with the "we" of the relationship, then it could be certainly posited that the birth of Love is accompanied by a dissolution of Self (which, in psychological terms, can be equated with a kind of phenomenological Death).
Is this "L = f (D)" issue Zamayatin's criticism of Collectivism, Love or, perhaps, Buddhism (after all, Buddhism with its "Oneness" too could be viewed as a dissolution of Self; note Z. mentions Buddha at least a dozen times)? Who knows, but I certainly found this deconstruction of love psychologically intriguing.
A couple of side notes: "OneState" - I think - is a very fitting translation of Edinnoye Gosudarstvo; even if not exactly correct, even if, perhaps, slightly connotationally liberal, the meme of "OneState" goes right along with the collectivist one-state-of-mind idea that pervades Z's dystopian society.
Not being a Zamyatin buff, I am not sure if anything has been written about the apparent racism of Z's protagonist who seems to have an aversion to his poet-friend's African lips (the poet's name in the book is alpha-numeric, as everyone's, and starts with R). Zamyatin references in the book the great Russian poet, Pushkin, who was half-African and I wondered if R is Pushkin, a rebel-poet, and I was expecting him to die in a duel (with D-503, since Pushkin died in a duel, and there seemed to be clearly a romantic tension b/w D-503 and R, as the two were part of the triangle with I-330). But it didn't play out that way - although D-503 did wrestle I-330 out of R's arms at one of the most climactic moments of the book. Once again, not being a "We" buff, I was left wondering if the letter part of the alpha-numeric names had any connotational loading (with R, by way of poet/Pushkin association, begging for the association with romanticism, in contrast with D's own "r" of rationalism).
And as a final side note about the imbedded racism of "We," allow me to note Zamyatin's first name: Evgeni - which, of course, stems from eugenics, "good genes." If we were to assume that D-503, the protagonist, is a psychological corrolary of Zamayatin himself, then D-503's struggle with his atavistically hairy hands, with his own "drop of forrest blood" might be of additional interest in terms of understanding the psychology of the author.
In sum, I find the book to be, indeed, a literary/cultural treasure, but not necessarily better than its Orwellian echo. It's a little thinner on character development (protagonists are less dimensional); a bit more chaotic in terms of the plot-line (D-503's records are almost too graphomaniacally flighty to be the primary vehicle for the plot-line, in contrast with Winston's "diary" that is never more than a rib cage to the backbone of the story).
In the tradition of evaluating "We" in light of "1984," I am leaning towards the following conclusion: sometimes the copy is better than the original.
Pavel Somov, Ph.D.
Author of "Eating the Moment: 141 Mindful Practices to Overcome Overeating One Meal at a Time" (New Harbinger, 2008)
The square root of negative oneReview Date: 2008-05-03
We" was a predecessor to George Orwell's dysotopic novel "1984". "We" tells the story of "D-503", a mathematician and engineer living in a society where everything a person did, down to the number of times a person brushed their teeth, was controlled by a master plan and a central authority. D-503 began the novel a perfect subject of the central authority. For him, the power and organization of central authority was synonymous with the power of the rules of mathematics. Both were absolute. When he first encountered the square root of negative one though, D-503 became frustrated, because there was something that mathematics couldn't answer: a limit to knowledge, a limit to what the rules could do. In the totalitarian world that D-503 lived in, it meant that there were things that the central authority would never be able to control or understand. By the end of the novel, D-503 had come to embrace the square root of negative one. He learned that the unknown and the unknowable are as important to existence as the known and the knowable.
"We" was written by Yevgeny Zamiatin at the time of the Communist Revolution in Russia. It was the first book banned in the Soviet Union, and it remained banned until 1988. The square root of negative one means that there will always be things beyond the rules. It means there are the things that will always elude control and remain wild, and there are no final revolutions.
Minimalist masterpiece of real geniusReview Date: 2008-05-03
We All Live in a GlasshouseReview Date: 2008-03-31
Forget 1984 or Brave New WorldReview Date: 2008-05-19

Used price: $6.77
Collectible price: $29.00

SingableReview Date: 2008-09-13
Dem BonesReview Date: 2008-09-06
Dem BonesReview Date: 2002-04-17
Kids from K through 5th grade enjoyed this! Lots of fun.
We love this book!Review Date: 2002-01-10
Another great Bob Barner bookReview Date: 2002-05-13

Used price: $1.09
Collectible price: $15.95

Love and RevolutionReview Date: 2008-04-20
Quite the love story. It is sad, and a lot is made of the Russian Revolution, as is right. The times were in turmoil and it affected everyone. It is to be noted that the same events are happening in Iraq today: factions fighting factions; injustice and terrorism are treated as if just and right because the perpetrators are a part of some group that thinks so; etc.
This is really a soap opera. People live their lives and have troubles, solve problems, create heartache and what not, just like we do in real life. The story does not deal in psychology, so a few times the choices of the characters are truly left to your own intuition and understanding of human nature. Some of the philosophy spouted by these people gets a bit esoteric and convoluted, by and large, it is understandable, just a bit odd to read in a literary story.
As I read the book, I began to feel as if, if I tried, I could see Lara as a microcosm for Russian peasants. They were violated young, treated all right for a time, left to their own resources, on and on, up through the Russian Revolution. Maybe that is the quality of this book that so many people were enthralled to read it. It could also have been the history told through personal toil that was what people of the West were really interested in. I am not a real fan of that sort of literature. I did not enjoy reading Galsworthy, "The Forsthye Saga" either. They are just too mundane
It is interesting that this is a story of a philander. Yuri marries his childhood sweetheart, then finds another sweet and gentle soul to enjoy. The marriage falls apart due to social conditions and Yuri's inability to do anything for his family. At one point, he realizes he has not been much of a father to his children. It makes him sad, but there is little he can do to undo or make things better for any of them. I guess that, in the sense that a philander goes outside of his marriage to have sex for the heightened libido or something, Yuri is not like that. He truly loves his wife and Lara, seemingly equally as much. They both have the sun shining out of their root charka, as far as he is concerned. As for his last lover, there he is just trying to still be human, but his mental state is such that he fails at that and in the end abandons her.
Good & BadReview Date: 2008-01-30
Doctor Zhivago, Love and the Russian RevolutionReview Date: 2008-05-13
The poet/physician Doctor Zhivago, Yuri Andreievich, is the main character who the reader follows before and through the Revolution up to the end of the book. The reader also learns of Tonia, Lara and some other friends during the first chapters as Pasternak shows the different worlds they come from, explaining the different classes and hardships associated with them.
Yuri who grows up in Moscow, with the Gromeko family, later marries their child Tonia. Lara marries Pavel Antipov, Pasha, who goes to war. Incidentally, Lara and Zhivago meet while in serving at the military sites with the wounded. After the war, Zhivago and his family move to the country side near the city of Yuriatin. The story continues as Zhivago, who is evidently madly in love with Lara meets with her in Yuriatin and they begin their affair. One day as he is returning back to Tonia, supposedly with the intentions of never seeing Lara again, he is kidnapped by the Partisans who keep him as their doctor during the Civil War.
These are some of the events that occur during the course of the book, ones that are memorable but also ones that are hard to understand and get into. Boris Pasternak included many minor characters within his book, ones that seem almost insignificant to the actual plot and make the reader question their presence. Because of the little development and poor prose it is hard to become truly attached to any of the characters. He also has a tendency to include overly descriptive details at times.
Many question the greatness of the love Zhivago really deemed to have had. If he really had that love for not only Tonia but Lara as well why did he approach the different situations in his life the way he did? This was one of the reasons you want to keep turning the pages to find out what happens to Zhivago, what he will do and how he will do it.
That's not to say that the ending of the book does not bring some disappointment to the reader. It rather unfinished with the character development with the reader hoping Zhivago had approached his life differently so that the book could really end as a love story. However, the underlying theme next to the love are the individuals responses to the circumstances that are beyond the familiar experiences. Although Boris Pasternak used some philosophy that was a bit convoluted the book was fairly easy to understand. The hardships and crimes of the Russian Revolution, and the Civil War leave are distressing and moving.
Overall I would recommend this book to anyone who wants to read a classic, perhaps its being so broken apart and with so many different details, situations and characters makes it relatable to life. The fact that it is written by a poet can be seen with the beautiful poems and descriptions that leave one with a clear picture in their mind
Love and RevolutionReview Date: 2008-04-20
Quite the love story. It is sad, and a lot is made of the Russian Revolution, as is right. The times were in turmoil and it affected everyone. It is to be noted that the same events are happening in Iraq today: factions fighting factions; injustice and terrorism are treated as if just and right because the perpetrators are a part of some group that thinks so; etc.
This is really a soap opera. People live their lives and have troubles, solve problems, create heartache and what not, just like we do in real life. The story does not deal in psychology, so a few times the choices of the characters are truly left to your own intuition and understanding of human nature. Some of the philosophy spouted by these people gets a bit esoteric and convoluted, by and large, it is understandable, just a bit odd to read in a literary story.
As I read the book, I began to feel as if, if I tried, I could see Lara as a microcosm for Russian peasants. They were violated young, treated all right for a time, left to their own resources, on and on, up through the Russian Revolution. Maybe that is the quality of this book that so many people were enthralled to read it. It could also have been the history told through personal toil that was what people of the West were really interested in. I am not a real fan of that sort of literature. I did not enjoy reading Galsworthy, "The Forsthye Saga" either. They are just too mundane
It is interesting that this is a story of a philander. Yuri marries his childhood sweetheart, then finds another sweet and gentle soul to enjoy. The marriage falls apart due to social conditions and Yuri's inability to do anything for his family. At one point, he realizes he has not been much of a father to his children. It makes him sad, but there is little he can do to undo or make things better for any of them. I guess that, in the sense that a philander goes outside of his marriage to have sex for the heightened libido or something, Yuri is not like that. He truly loves his wife and Lara, seemingly equally as much. They both have the sun shining out of their root charka, as far as he is concerned. As for his last lover, there he is just trying to still be human, but his mental state is such that he fails at that and in the end abandons her.
Pasternak v. Reader, Round IIReview Date: 2008-04-16
Yes, I did. And no, I didn't.
I found that this time around I had something more of a connection with the characters. I better understood the way that life can pull a person in strange directions and drop them into unexpected and unwanted situations. I understood that sometimes people are swept into and out of the place they want to be - and why they stay where things are bad and leave where things are good. I certainly had a far greater appreciation for Pasternak's obviously loving descriptions of his homeland.
That said, the things that drove my dislike of Dr. Zhivago the first time were still still there. The sprawling story and unending task of keeping all the characters straight were still a detraction. I don't know if the problem with character names springs from the fact that, being Russian names, they are unfamiliar to my mind or if Pasternak simply failed to rein in his cast of thousands. Unresolved plot lines rarely bother me but, when combined with extensive background on what ending up being minor characters, Dr. Zhivago felt a bit as if Pasternak let the narrative get away from him. Maybe that was the point. Sometimes life just gets away from you. After all, he's the one with a Nobel Prize. Who am I to criticize?
While I actually liked the novel this time, I feel as if I should have liked Dr. Zhivago more than I did. Maybe it's that I can't escape my first impression.

Used price: $3.19

Disturbing and bleak, yet resoundingly perfect; an astute depiction of inherent imperfection...Review Date: 2008-04-14
You ever read that novel or watch that film that just eats away at the pit of your stomach and pains you to your very core? You ever struggle to turn the page or fight to watch the screen because the onslaught of negativity is picking away at your spirit and bringing you to a dark and lonely place you never wished to visit? That is the feeling experienced when reading (or subsequently watching the Aronofsky film adaptation) this novel.
The novel opens by introducing us to four people. We have Sara, an older Jewish woman who lives for television. The opening scene depicts her son Harry, strung out as usual, stealing her television to pawn it for money in order to get his next hit. Harry also has a girlfriend Marion as well as a best friend Tyrone C. Love. The three of them enjoy a nice taste of heroin every now and again and will do just about anything to get it. Sara dreams of one day being on television, and when she gets to opportunity she grabs it by the horns. She is convinced to lose enough weight to fit into her favorite red dress, the one she wore to Harry's bar mitzvah. This leads her to diet pills which she quickly and dangerously forms an addiction to. Harry and Marion on the other hand begin to develop a plan to buy and sell heroin for a profit, that way they can one day by that little coffee shop and make a life for themselves. This little plan involves Tyrone as well, and as the dope starts pouring in, their idea of a small taste begins to grow until they can't stomach the thought of selling any of it but feel compelled to keep all of it for themselves.
The novel brilliantly portrays the mind of an addict; the `I'll never get that bad, I can stop whenever I want to' mentality that cripples the mind and fortifies the very essence of the domination of the soul. All four of these individuals are taken over and beaten down by the disease that is addiction. There is a scene where Tyrone is arrested and spends some time in the jail cell with an elderly addict, a man who is so far gone Tyrone is disgusted by him. Tyrone is determined never to be that man, never to become that dependant on the taste, but the first thing Tyrone does when he gets out is cop him that taste. He doesn't realize that he is already there.
The novel, like I mentioned, is horribly depressing and utterly frustrating, especially as the novel comes to a close and everything begins to spiral into oblivion. As we watch Sara, Harry, Marion and Tyrone's lives completely fall apart in a gradual yet perpetual tumble towards rock bottom we are left with the bitter taste of pain and misery in the back of our throats. Experiencing Sara's mental deterioration at the hands of the pill; watching Marion degrade herself to escape the sick feeling of withdrawals; seeing Harry cast aside his own well being in order to keep that high; watching Tyrone come to realize he is no better than the men he despises; all of this eats at our very being and transports us to a place unlike any we've ever been.
Like the movie, the novel excels when focusing on the female characters. Sara and Marion are by far the most sympathetic and interesting characters in the novel; with that said they are also the most depressing and utterly devastating to read about. Their final outcome is far from pretty and makes the reader feel helpless and alone; much like these characters.
`Requiem for a Dream' is far from pretty. It is dirty, gritty and at times unbearable; but there is no denying that it is a masterpiece; literature at its finest. Hubert Selby Jr. is a deeply controlled and phenomenally capable writer who understands the appropriate darkness of his subject; an author who takes something so terrible, so bleak and painful and makes it quite frankly one of the most important novels ever penned. In my humble opinion this is the type of novel that should be mandatory reading at any substance abuse rehabilitation center. After reading this grisly novel (and of course watching the equally grisly film) I could never even stomach the idea of drug use. In a world that glamorizes any and everything harmful to the soul, `Requiem for a Dream' stands apart as a very real depiction of all you stand to lose.
Harrowing and heartbreakingReview Date: 2008-03-20
If you found the last 20 minutes of the film as horrifying as I did, Selby's account of the fates of Harry, Sara, Marion, and Tyrone will make you want to cry for all of them.
This is not going to be an easy read for a lot of people, but it's a masterwork.
It's just that good.
If you've read "Last Exit to Brooklyn," you'll be familiar with Selby's habit of not using quotation marks when he writes dialogue. But even if this is your first exposure to Selby, you'll figure out who's saying what pretty quickly.
And don't skip Selby's prologue.
As an aside: ELLEN BURSTYN WAS ROBBED! (As Sara in Requiem for a Dream, she really should have gotten an Oscar. I'm just saying.)
One of my favorites - simply, amazing Review Date: 2008-01-30
Unrelenting...Review Date: 2007-10-19
Prepare yourself before you readReview Date: 2007-01-30

Used price: $0.01

SO MUCH PACKED INTO ONE LITTLE BOOK - REMARKABLE!Review Date: 2006-08-26
A Great Read Aloud for President's Day!Review Date: 2003-01-13
Excellent story for George Washington's Birthday!Review Date: 2005-02-27
THE COSMIC GENIUS WRITES AGAINReview Date: 2004-09-28
SCOTT 11
6--Year-Old (and I) Loved ItReview Date: 2005-10-19

Used price: $0.01
Collectible price: $10.00

NewReview Date: 2008-07-28
Interesting EpicReview Date: 2007-01-09
Reviewing Oedipus RexReview Date: 2006-02-21
Oedipus RexReview Date: 2005-10-04
Has lasted 1000s of years for a reason...Review Date: 2005-06-28

Used price: $9.25
Collectible price: $21.00

ICELAND'S CONTRIBUTION TO WORLD CULTUREReview Date: 2008-01-14
Roots time for me. I am half Icelandic. People tend to think of the ancient Norsemen as barbaric murderers. Well, they went a-Viking, and you probably wouldn't want to meet them on one of their "shopping trips". But the Norse had a rich and complicated culture, their own religion, and some of the most powerful sagas in the world. Icelanders were the scribes and intellectuals. The Icelandic sagas have been compared to the Greek in scope and power. Sample a civilization that's been glossed over by European history. Check out Independent People, by Halldor Laxness, for an example of a modern Icelandic genius' writing.
Classical Icelandic LiteratureReview Date: 2008-03-14
Iceland was very unique amongst European societies from the tenth to thirteen centuries. It had no executive administration, king or monarch to speak of, but rather a complex sophisticated system of legislative and judicial institutions. The Althing served as a national assembly. Regional quarter courts were set up for adjudicating disputes. Iceland was kinship society. Whenever blood feuds and disputes arose, the offending party or parties could seek the support of his family and a tribal chief. Kinship as a concept is integral to understanding the Sagas. It involves a sense of familial belonging not unlike the Celtic clan system. The de facto government would often broker peace so as to meditate conflict, but sometimes conflicts turned deadly when personal vengeance was sought to avenge perceived wrongs.
Icelandic SagasReview Date: 2008-05-16
First, to state what this book is not: it is not a collection which includes the semi-legendary sagas, such as Hrolf-Kraki and the Volsungs. It does not contain any King's sagas, such as in the Heimskringla. It is not concerned with any of the Sturlung Sagas of later Icelandic history. It does contain a very strong representative selection from among the Icelanders' Sagas, that is those that take place in Iceland, or whose protagonists are Icelanders abroad, during and just after the Viking Age. Finally, it does not contain every one of such sagas.
The book contains Egil's Saga, as well as the Vatnsdaela, the Laxardaela, Hrafnkel Frey's Godi, The Confederates, Gisli Sursson, Gunnlaug Serpent-Tongue, Ref the Sly, and the Vinland Sagas, as well as 6 short prose tales of other Icelanders, usually in foreign service.
There is a great deal of supplementary information about the different kinds of sagas, Ages of Icelandic history, Viking ship types, Icelandic social and political structure, the Icelandic calendar, as well as a generous dose of genealogical tables and maps of Iceland, Norway, Vinland, etc. with detail maps showing the action of the separate sagas.
I won't waste space describing the sagas themselves, under the assumption that someone considering purchasing this book has read at least one saga, and so knows what to expect from the genre. But I can't resist quoting an Icelandic scholar referred to in the introduction, who describes the Icelandic sagas as "farmers at fisticuffs."
I also own Njal's Saga, and once I acquire the Book of Settlements, these two works in addition to the present collection will probably complete my Icelandic saga needs, because this work is so thoroughly and attractively assembled.
I also recommend Viking Age Iceland by Jesse Byock as a companion volume to this one.
Great Reading At A Bargain Price!Review Date: 2008-02-17
The second reason is that these are great stories. The characters are interesting, the action is intense, and the plots are memorable. Anyone who loves tales of adventure & conflict will find something to like here. Anyone thinking that the Norse people offered no lasting contribution to Western culture should familiarize themselves with the Sagas. In my opinion, these works compare favorably to any literature of the Middle Ages.
The one caution I'd offer to someone not familiar with these tales is to not read the introductions until after reading the story. Otherwise, the ending will be spoiled for you.
Penguin has a reputation for publishing important historical works of literature at very affordable prices. This collection is a fine addition to their impressive catalog.
It misrepresents the sagas to the noviceReview Date: 2007-10-24
It doesn't. And aggravating allusions and references now and then to sagas that aren't contained in this volume just compound the frustration. But it does contain a core (to my mind, chosen somewhat arbitrarily) of the sagas from which one can build a familiarity as well as a list for further reading.
Related Subjects: Fiction Women Fiction
More Pages: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250
I never want a Richard Russo book to end.
I mark passages in his books to read to others.