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As a national trainer and a former national board member of the U.S. Green Building Council (USGBC), Jerry Yudelson is a nationally recognized leader and expert in green building. He summarized his many years of professional experience with green building design and renewable energy systems in "Green Building A to Z: Understanding the Language of Green Building."

"Green Building A to Z: Understanding the Language of Green Building" covers the history, importance, benefits and costs of green building. It also covers some key elements of the LEED building rating system in plain English, such as water conservation, reducing energy use, solar energy, locally sourced materials, natural ventilation, zero-net-energy buildings and creating a conservation economy, etc.

"Green Building A to Z: Understanding the Language of Green Building" has 240 pages packed with useful information. It is an indispensable and accurate guide for anyone who is interested in green building!

Gang Chen, LEED AP, AIA
Author of "Planting Design Illustrated"

I've always respected Jerry Yudelson. He is a fixture at USGBC and an active proponent of intelligent green building. Jerry has done the industry a service by writing his book.

This book provides one page on each term so people new to the industry can follow conversations about sustainable architecture and urban planning. It decodes green building terminology. I recommend it for first year architect students or any old AIA dog trying to learn new tricks.

It is even a good title for people who think they know it all, just to make sure they didn't miss anything.
Sometimes we tend to know concepts so well that we can't explain the simplest of terms, A to Z saves the day.

The appendix provides a great list of books and websites. For anyone wanting to shorten their learning curve (like the Regents of Higher Education perhaps?? or city commissioners??) this book is an easy one to flip through and is comprehensive enough to save hours and hours of fumbling around on Google. It is sort of like an abbreviated wikipedia of green building terms.

-Jane Talkington
PhD Student of Sustainability at OSU
www.Trifecta-Consulting.com

I note that there is only one other somewhat unfavorable review of this book. I'll say the one nice thing first -- Martin's writing is "pretty." When he describes something, I get a good picture of it in my head. Unfortunately, he uses lengthy descriptive passages of minor events that don't build the story line; it almost seems like filler and can be very boring. His characters are not to be believed. His story line is not believable. What happened to the mothers of these two boys? Why would the mothers give them up so easily? Where were the police when Miss Ella was beaten silly by Rex??? Where was social services when the boys were beaten silly by Rex??? Why didn't Mose beat the heck out of Rex??? Did the two boys stay in the house all the time by themselves, only visited by Miss Ella during the day? Come on. I've read several of Charles Martin's books. I'm beginning to think he had a horrible childhood because he either never mentions characters' parents in his books, or when he does, they are unbelievably abusive. Should have borrowed this one from the library. Wasn't worth the $$$$.

Wrapped in Rain by Charles Martin was difficult to get into, to be honest. I picked it up about two years ago, but when about 60 pages into it, I knew more about a truck-stop prostitute (who was an oversized prop--and when I say oversized, I mean oversized) than I did the story itself, I put it back down. But on the encouragement of a friend, I tried again. I'm glad I did.

Wrapped in Rain is about Tucker Mason and his brother Matthew (a.k.a. Mutt) coming to terms with their messed-up past (namely, a father who's frequent absences was preferred to his abusive presence), forgiving daily, and learning to freely love. The only redeeming aspect of their childhood was Miss Ella Rain, their nanny/housekeeper, who loved them as if they were her own and who fought for them when they couldn't fight anymore.

The story begins when Mutt, who suffers from a personality disorder because of his past, escapes from the mental health facility. At the same time, Tucker runs into his childhood girlfriend, Katie, and her son, Jase, on the run from Katie's husband, who's been abusing them. Reunited, Tucker, Katie, Mutt, and now Jase, learn to live together, love each other, and work through their issues.

The prose is flawless and beautiful, although at times superfluous (i.e. the description of the truck-stop prostitute and other well-written but long descriptions of local color). Sometimes the story seems too convenient (i.e. how Tucker runs into Katie and the subplot of Katie running from her ex, which wraps up too neatly, I think), but the emotions and inner struggle encapsulates what it means to forgive every day. Because of the nature of the story, backstory is integral, but it's overwhelming. At times it felt a little like this: I walked through the field. It reminded me of the time when...backstory...On the other side, I met Katie...then Katie shares her backstory through one-sided dialogue...We walked back together like we did that day when we were...another backstory.

I'm exaggerating. Slightly.

All in all, I'm glad I gave the story another try, and I'll read more Charles Martin because I like the flow of his prose and the development of his main characters. The prologue in the beginning kept me going through the slow story development. If you're willing to persevere through the beginning, I recommend it.

This was such a unique book. It wasn't close to what I expected. Two boys, who live with their father in Alabama, are pretty much raised by their housekeeper, Ella Rain. Their father is very abusive and it impacts the boys life in drastic ways. Tucker, a photographer, is running from himself and the person he does not want to become. Mutt is in a mental hospital dealing with his demons and the voices inside his head. When Mutt escapes from the hospital and Katie, an old girlfriend, appears with her son and a black eye, Tucker is forced to return home and face his tragic past. This books brings faith and hope together with great character development and a very unique story line. One of those I whipped through and did not want to put down.

I don't too often rave about a book I've read but this is one of those you just have to rave about and share with others. I am an avid reader and read probably 2-4 books a week. I read secular and inspirational and I have to say this author moved to the top of my list as must reads. The book is loaded with humor and wit, sadness, love; no, this isn't a romance though there is a little romance going on but mostly it's several people who have been damaged by life and how the love and prayers of a black house keeper and nanny affected the lives of 2 boys. This is about forgiveness and how God worked to bring these lives together and heal them. It's not a preachy book though there is one chapter of a Catholic priest who says more profound words in a few minutes than many preachers I've heard who preach an hour. The characters are all so delightful to read about and I wanted to read more of them when it ended.

Jase, the little boy in the story is so adorable and I loved his relationship with Tucker. Then there is poor "Mutt" damaged so much by the past. Yet he is a delightful character. Of course probably the most important character was Miss Ella who loved these boys and prayed them through life and took beatings from the abusive father but still wouldn't leave the boys.

Towards the end of the book, Tucker is talking to God and says it all. "WE had 33 years of misery, bitterness, and hell, but you were right. Whipped, battered and beaten, love broke through the rocks. I don't know how, but it did. I guess that's the mystery of it all." It will be worth your time to read the book to find how all of this took place.

I got this book from the library but loved it so much, I ordered it to have my own copy because I know I will read it again and lend it to friends. I have pre-ordered Mr Martin's next book, "Where the River Ends" due out in July. This is one author really worth your time to read.

Found the story line to be a little far fetched, especially a person being sent home from a mental hospital with 2 injectable shots of Thorazine and a bottle of so called pills.

The very explicate descriptions of a situation or a view I found to be long, they could have been more to the point.

I had a hard time in reading the story and I had to force myself to finish.

My favorite movie of all time. The book is not as good as the movie.

Out of Africa is Karen Blixen's memoir about her years in Africa, writing as Isak Dinesen. She recounts the world of Africa, specifically Kenya. It is, like the England of her friend Denys Finch-Hatton, "a world that no longer existed" even then and certainly as she left it. The memoir is a slow read, yet a book with prose in which you can luxuriate, or languish perhaps as it seems to mirror the mammoth African landscape. Reading like a pastoral novel, the narrator interested me with her myriad experiences. It presents people, cultures, landscape, and wildlife through her eyes, sometimes noble, sometimes paternal. The culture of the various tribes and religions with whom she had contact on her coffee farm became almost real, so that as I read certain moments became funny or sad or wistful. The reader comes to view animals differently, the fecundity of life struck me particularly. The different forces at work are both natural and foreign; the paradoxical nature of the presence of two churches (Roman Catholic and Church of Scotland) is sometimes presented as working for good yet other times it is in conflict. Blixen's memoir is truly literate and the importance of books and writing is evident throughout. Early in the memoir she tries to explain her wirting a book to a native. Near the end of her stay as she is selling off the furniture and other estate provisions their is a poignant moment when, as she sits on her remaining books, she comments:
"Books in a colony play a different part in your existence from what they do in Europe; there is a whole side of your life which they alone take charge of ... you feel more grateful to them, or more indignant with them, than you will ever do in civilized countries." (p.373)
Blixen's memoir of this "uncivilised" land is both memorable and effective in sweeping the reader away into a very different world. Definitely a worthwhile read.

The two-cassette abridgment was way too limiting for such a magnificent book. Also disappointing was the fact that the product was a rejected one from a public library, and the second tape was stretched and half of the second tape was not able to be heard. This product should never have been sold in this condition.

This was the first of many books I've read about Africa. At the time, I had a romanticized view of The Dark Continent, a naieve view.
After doing some more research, I realize Karen Blixen's view was VERY romanticized....to the extent that many of her contemporaries thought her somewhat odd and out of touch with reality.
If you want a lyrically told story colored with emotion...this is for you.
If you're interested in Africa as it really was, read the many accounts extant by settlers who spent far more time, and ranged over a wider area.

The book, "Out of Africa," is a memoir of the Danish Baroness Karen Blixen's habitation near Nairobi in Kenya from 1914 to 1931 on a fertile 6000-acre coffee plantation, "at the foot of the Ngong Hills" (1992: 3). Blixen writes under the pen-name Isak Dinesen. Karen Blixen went to British East Africa (in a location in present-day, Kenya) to join her German husband (Baron Bror Blixen), and upon separation she stayed in Kenya to manage the farm by herself. The extent of her adventures in Africa, and to what extent she is a feminist is borne out by the book, as well as the film "Out of Africa," that is based on the book. This piece will examine such, as well as comparisons between the book and the film.

Isak Dinesen (Karen Blixen) presents geographical detail, oftentimes comparisons and contrasts within this fertile land of the Kikuyu people that would several decades later be the crux of the Mau-Mau rebellion over whites' displacement and dispossession of natives from their land. Dinesen also compares features with those of her native Europe. Dinesen writes of the equatorial habitat, "Everything that you saw made for greatness and freedom, and unequaled nobility...Up in this high air you breathed easily, drawing in a vital assurance and lightness of heart: Here I am where I ought to be" (1992: 4). Dinesen writes of "heavy-scented lilies," of "long-rains," "ever-changing clouds," of "hills from the farm [that} changed their character many times in the course of the day, and sometimes looked quite close and at times very far away" (1992: 4). Dinesen, in precise and elegant language displays love and fascination for the geography, the clean air, the animals, the beauty of this African environment; she becomes possessed by the place.The movie captures the large, picturesque, mysterious, and varied eastern equatorial Africa where the eland, the buffalo, and the rhino are quite common sights; the movie impressively and unanimously earned, Oscar, "Best Picture of the Year."

In the end Dinesen is forced to give up her plantation, this scenario elicits a heartache and sadness. Dinesen's memoirs, years after she had left Africa could be a reflection of her nostalgic dealing with her loss of the farm as well as overall experiences in Africa. Dinesen stands out as a courageous and strong woman, one who is in the feminist direction. She lost her philandering husband, but stayed on bravely, for nearly 20 years in a foreign harsh environment, one with languages and cultures far-fetched from her own. Dinesen worked well at being appreciative of an environment that was new to her, during an era of colonialism in Africa, a time when Darwinian relegation of black Africans to the lowest of human species and elevation of whites to the upper rung was very strong. Dinesen cuts through the female traditional roles, she tries flying in planes, the goes on safari, she learns how to shoot and even shoots and kills game. She is open and welcomes countless visitors from all over the world to her home and farm. This was an age of exploration and acquisition of "Dark Africa," by Europeans and Asians. Dinesen is quite aware of her feminine strength. She rescues and adopts a wounded antelope she names Lulu; Lulu becomes a celebrity on the farm; Dinesen searches, discovers and celebrates the feminist strength in Lulu: "But Lulu was not really gentle, she had the so-called devil in her. She had, to the highest degree, the feminine trait of appearing to be exclusively on the defensive, concentrating on guarding the integrity of her being, when she was really, with the force in her, bent upon and defensive" (1992: 74). Also, "Lulu of the woods was a superior, independent being...she was in possession. If I had happened to have known a young princess in exile, and while she was still a pretender to the throne, and had met her again in her full queenly estate after she had come into her rights, our meeting would have had the same character" (1992: 78).

The book displays that Karen Blixen exemplified the Europeans with the upper hand in colonial world conquest and politics. It is to be recalled that the three weapons used by Europeans to subjugate Africans were the gun, the Bible, and the anthropologist. Karen used guns to protect herself. Catholic (mostly Belgian and French), Protestant (mostly British), and Muslim (mostly Arabic) agencies vied for power in Africa. The Germans were in present-day neighboring Tanzania (German East Africa) to the south. They would be ousted during this significant, "Scramble for Africa." The book illustrates how Karen Blixen took great interest in which religious group the young natives (some of whom served her) adhered to. Many native followers, taught to kneel and pray to an invisible white Almighty god, became converted to the political/ religious groups, as they became dispossessed of their land resources. The anthropology aspect, as mentioned, involved relegation of black Africans to the lowest rungs of evolutionary mankind...the white was relegated as the superior, the master, the savior, the benevolent, the genius. The movie is great at casting Meryl Streep as the beautiful, rosy-cheeked clean, statuesque woman amidst muddy, black African paradise! The real Karen Blixen likely had more rugged looks and likely often got "down-and-dirty," than is depicted in the movie. An equatorial Africa of long and heavy rainy seasons, of continuous tropical sun, and of limited running water would not leave the Danish heroine so clean and collected.

It is to be recalled that Dinesen is writing from an overly European point of view, hence, negative criticism of her will not be short. Her attitude to black Africans is racist and condescending. In the movie, Denys Finch-Hatton (Robert Redford) rebukes her for instructing native porters to get off her belongings by "shooing," them off!. Finch-Hatton, in shock, remarks to her, "Shoo?" as if telling her, "I do not believe you addressed these people that way!" Finch-Hatton (who became Dinesen's lover) knows the native languages (Kiswahili and Kikuyu), and goes on to communicate her instructions to the porters. Black Africans are prevalently depicted in the movie as poverty-stricken servants, laborers and porters, as helpless people close to animal nature. In tune with the movie, here Dinesen writes, "They were poor people, small and underfed; they looked like a pair of badgers on my lawn...I could hardly distinguish them against the grass. They were sank in deep grief; their bereavement and their economic loss melted into one overwhelming distress" (1992: 108). Dinesen is surprised that the, "Natives," are strikingly open, adapting, welcoming and unprejudiced. Yet, as prevalent in the colonial fashion, she does not attribute this to the inner traditions and workings of indigenous African society, but from influence from foreigners including slavers! "The lack of prejudice in the Natives is a striking thing, for you expect to find dark taboos in the primitive people. It is due...to their acquaintance with a variety of races and tribes, and to the lively human intercourse that was brought upon East Africa, first by the old traders of ivory and slaves...and...by the settlers and big-game hunters" (1992: 54).

Dinesen wishes the natives would understand and appreciate her more. It is always presumptuous to be confident of having fully understood a foreign culture and people; she does not seem to believe she is prejudiced and why the natives to a good extent regard her as a foreigner far different from them, and difficult to comprehend. She writes, "If I know a song of Africa,---I thought,---of the Giraffe, and the African new moon lying on her back, of the ploughs in the field, and the sweaty faces of the coffee pickers, does Africa know a song of me?" (1992: 83). At the same time, Dinesen quite often acknowledges that newcomers from Africa are from a noisy and rushed world, they do not have the patience and connectedness of native Africans. European colonialists imposed on the natives an alien system of forced dispossession and displacement and of monopoly. So much of this colonial intrusion was quite new to the prevalently communalist and family-oriented, egalitarian way of native African subsistence.

Karen Blixen's marriage starts out as more of a convenience than of romance. She left Denmark to marry the German Baron Bror Blixen (Klaus Maria Brandauer) and start a dairy in Kenya. Bror is actually the brother of her lover. Karen is offering her fortune for companionship and adventure (and for the title of, "Baroness") much more than for enjoying the security of a man. So, from the outset, Karen's feminist inclinations are strong. The husband changes his mind about the diary, and instead invests her money in a risky venture of growing coffee. The husband is unfaithful, philandering, gives her syphilis that will disable her from having children; the marriage breaks up. Karen is left to manage the farm, she has to battle with floods and fire. Hardly anything of British big game hunter Denys Finch-Hatton's romance with Dinesen (Karen Blixen), is mentioned in the book; the movie likely borrows from other sources depicting the life of Karen Blixen. Unfortunately the English accent of Denys Finch-Hatton is not conveyed by Redford, compared to Karen's excellent outflow of a Scandinavian accent. Yet, the movie depicts their chemistry, Denys is impressed by her strength and independence, Karen's ability to tell and weave stories, they kiss, and in one scene have sex. Karen does seem to desire long-term companionship and commitment from Denys, desire for a man who will sacrifice to be with her. She stands against having a man like Denys who wants to be "free-wheeling," one who will come and go depending on need and desire, he loves the African outdoors. Finch-Hatton is mysterious, elusive and emotionally distant, but he is miscast in that in the movie: he seems to represent an all-American jock that waywardly found his way into Africa. Karen was wounded before, and this encounter with Denys is only a brief moment of ecstasy, but she bravely soldiers on, appreciating more of what is around her. Karen is indeed confident, stoic and creative in face of the odds. She did resist going on safari with Denys, but she eventually succumbed to his quite undeniable invitation. Eventually, they got closer, she broadened her horizons, she better adapted to and better accepted foreigners and their ways.

In conclusion, the movie emphasizes the romantic issues and episodes in Karen Blixen's life in Africa (romance and sex sells in Hollywood), much more than the book does. The book seems to be constructed from a breadth of notes of what Blixen put together while in Africa, and weaved them into a good fairy tale. The truth is that Blixen dealt with aspects like fluctuating coffee prices, sometimes drought and heavy rains, discontented dispossessed natives, scrambles for Africa amongst several European agencies, African diseases and sometimes unsanitary conditions, wildlife from untamed neighborhoods. The movie does display the exquisite beauty of tropical Africa which Blixen did dwell on, but not on the colonial wranglings. There is lyrical beauty in Blixen's writing, and the movie does elicit an African peaceful mood through the excellent music. Blixen, in both the movie and the book is a strong and opinionated woman, yet flexible and open to ideas, people, and adventure. She is a significant precursor of modern-day feminism.

I love this book. Beautiful pictures and interesting stories for each home described. A must if you dream of someday having your own beach cottage.

I live approximately 60 miles from the Oregon Coast and nearly 900 miles from Malibu and Santa Monica, California...three of my favorite places in the world! I simply can't enough of "beach" and coastal themes in my decor, my attire, my art, my music and my life...

So what's a self-described "beach girl" like me to do when she's stuck inland and can't go to the beach whenever she wants? She decorates her home in that style, that's what!

Well, today I went in search of books with ideas on how to decorate with my favorite style of design, and saw quite a few available. Yes, I saw the really nifty set of books by Rachel Ashwell on the "Shabby Chic" design style and even that lovely book by actress/artist Jane Seymour called "Making Yourself At Home" but the one that really captured my eye this time around? The one I took home? Mary Emmerling's Beach Cottages: At Home By The Sea.

I really enjoyed the pictures of the various beach cottages in her book. There are some AWESOME, unique and very colorful pictures of home exteriors and interiors from various beach communities all over the USA. You can enjoy the view of the sea from Nantucket, MA to Miami, FL to Galveston, TX and of course, good ole Southern California! There's also some great pics of the "Shabby Chic" queen Rachel Ashwell's home in it.

Now I must admit I was a bit miffed that Ms. Emmerling had overlooked the Pacific Northwest to feature in her book. There are some spectacular and beautiful beach homes on the Oregon and Washington Coast (including the San Juan Islands) that would've fit in very well in this book. However, when I saw that she listed some cool Northwest shops, then I decided all was forgiven lol. Maybe she can remember us in the PNW for her next edition? hee hee

I really appreciate the fact that there's none of the uber-perfection obsessed Martha Stewart-y mess in this book. All of the ideas are so easy to do and not too overly expensive, either. Even if you're smack dab in the heartland someplace, this book has all sorts of cool and user friendly practical tips on how to make your place "beach cottage" worthy. This book is a welcome addition to my library, so I'm recommending this book to all of y'all to check out and enjoy, too.

Love, love love Mary Emmerling. I have ALL of her books. I always get tons of ideas form her special books & this one's no exception. Pictures are beautiful.

As a longtime Mary Emmerling fan I can hardly wait for each book to come out; as a beach fan I was not disappointed; a lovely book. I enjoyed seeing her old beach cottages and how they have evolved. I think she missed some great old cottages in my northwest florida area; especially at Grayton Beach; but otherwise this is a very nice book representative of her great taste. I'm looking forward to her work with House Beautiful.

I'm a longtime fan of Mary Emmerling's work, and was thrilled to find BEACH COTTAGES. I've dog-eared favorite pages, and find myself returning to them over and over again for inspiration. I loved the diversity of design styles, and even when the homes shown are waaaay out of my own budget, I enjoyed seeing how the other half lives. This is a book for dreamers as well as doers.Of course, it doesn't hurt that she recommended one of my books, SAVANNAH BREEZE, in her list of great beach reads. I'll be buying more copies of BEACH COTTAGES for my beach dreamer buddies.
Mary Kay Andrews

I love Philippa Gregory and thoroughly enjoyed Wideacre, the first book in this trilogy. The Favored Child, which "continues" the story, is actually more of the same. As is typical of Gregory's works, the book is well-written and the characters interesting - at least the first time you meet them. However, because the plot line mirrors Wideacre quite closely and is not sufficiently different, one feels a bit like they are rereading Wideacre. Nevertheless, if you like Philippa Gregory, you will read and finish this book. However, if you are looking for fresh material and a surprise in the story line, you will be disappointed in this book.

Again, there are ugly and disturbing scenes in this book. If you are sensitive to writing that is not "pretty" you may want to skip reading this book and the others in the series.

It's bad.
It's painful to read.
I think Gregory enjoys torturing her characters a little TOO much.
I read pretty well until about page 450 or so, but I just couldn't take it anymore. I skimmed the rest. I HAD to see what happened but I didn't want to actually READ it.

I have to say I couldnt finish this book, mostly because i threw it across the room a few too many times. The abuse and willingness to take the abuse the heroine endures is not only impossible to read, you cant even feel sympathy for her anymore. I'm insulted as a human that an author would think i would enjoy reading about a character who is so spineless and stupid as to let herself be treated this way. It is well written, but you will hate the 2 main characters. Its hard to empathize with a heroine who cant stand on her own 2 feet and get a life, and a villain who has no depth or subtlety to him whatsoever. I will say I loved the queens fool and the other boleyn girl, that is why i picked up this book, so beware!

Ugh...I am utterly disgusted, and not by the incest. I really wanted to like this book, and for about 400 pages, I was on board. While I didn't think any of the characters are either believable or reliable (same went for Wideacre), I was hoping there would be a plot twist and that maybe Julia would have another one of her unpredictable bouts of courage. I was nearly finished, but I became so furious with the plot (and not in a good way) that I flipped to the back and read the last few pages, only to toss the book across the room in a rage. I hate Julia, I hate Richard, and I hate how the novel ends. I can't even go back and finish the pages I skipped. I've read many other Gregory books, but this one makes me want to write her off forever. Ugh...

This is the second book in the Wideacre series and follows Beatrice's daughter, Julia. Out of Beatrice's two incestuous children, Julia inherits her 'good' side (in tune with the land and a natural with animals) whereas her son Richard encompasses Beatrice's worst traits. The Favored Child lacks the eery, shocking, almost disturbing quality of Wideacre, and the more lively (and likable) characters of Meridon. However, I didn't regret reading it- it still has the typical Gregory descriptions and historical traits, and is not a boring story.

This is a wonderful inspiring book full of all kinds of dolls. The photographs are fabulous, I've purchased 2 books, gave one to a friend and kept one for myself, and she loved it too.

I found this book to be a very good resource for inspiring examples of mixed media sculpture and 3 D art. The
photography is excellent and the color vibrant. The level of examples ranges from very complex to simple and
readers will be able to gain know-how and the boost to try this art form themselves.

A lapsed dollart maker myself, I was looking for inspiration to start again, along with other artforms, mixed media things....so this juicy and satisfyingly-sized volume seemed promising. I didn't want any how-to's, because I'd explored that in depth in the '90s. In this book, I found new works by favorite doll artists, (missed some I wish had been included), but was thrilled to discover a few new artists to add to my list. Seems like art is evolving to include even more of what we can make of it and dollart is perhaps at last being recognized for a valid art form. So if you are looking for inspiration, or just want to gaze and be thrilled, treat yourself to this book; it's well done.

This catalog of dolls is layered with inspiration, challenging any conventional view of "dolls" that one might have. Beaded, sculpted, poured, spun, carved, knit, sewn, wired, wrapped - the human form is not only explored, but interpreted, re-defined, expanded, and viewed from unfamiliar angles.
My good friend, Leslie Molen, has several dolls included - I have had the privilege to take lessons from her & am thrilled to have my copy autographed by her!

This beautiful book will especially appeal to three classes of people: artists who make handmade dolls, amateurs who emulate them, and general readers like my wife and me who collect them.

Helen Bullard, who was instrumental in popularizing the art form in the US described these dolls in 1983: "Collections of mass-produced dolls, originally made for children to play with, are everywhere. Far rarer and generally unknown to the public are the original dolls handmade by artists with the same creative approach which is used in painting and sculpture. Their dolls, many of which express American culture, are not intended for play."

The National Institute of American Doll Artists is an embodiment of her efforts, and their website is an excellent starting place for anyone interested in exploring the art form. For several years Lark Books has published a series of picture albums of contemporary arts and crafts. The production process is similar for all the books in this series. A leading artist -- in this case Akira Blount -- asks craft artists to submit photos of their work for inclusion in an upcoming book. (Artists can find a copy of the application form on the Lark Book website.) A jury selects one or more photos from each chosen artist for inclusion in the book. Each artwork gets one page with one or more photos of the piece and a short writeup -- artist's and work's name, size, materials, photo credit is a typical entry.

There is no other text, except for in this case a three page introduction by Blount outlining the history of handmade dolls, and an index of contributing artists with page numbers. Lark's object is to "democratically represent the creative scene at the time of publication."

This book meets part of that objective. Only artists who are asked to contribute or who see the publisher's announcement and can read English and apply are considered. The great majority of the works shown here are from the United States with a scattering of artists from Australia, Canada, Belgium and The Netherlands. There is only one artist from Japan in this book, a serious omission in view of the many vibrantly creative handmade dolls being made in Japan at the present time.

Take a look at, for example, Japanese Dolls: The Fascinating World of Ningyo, Ningyo: The Art of the Japanese Doll, or Japanese Kimono Paper Dolls in Full Color (Paper Dolls) to get an idea of how beautiful Japanese dolls can be. During a trip to Tokyo, we saw a major exhibit of Japanese paper dolls at a department store; a gigantic war parade of over 10,000 figures and a fantastic replica of the Globe Theater, among many other treasures.

The quality of the photos in this book varies a bit, and doll makers might well learn how to improve their photography skills, especially with respect to shadows. Nevertheless the book itself is printed on excellent paper in an 8" by 8" format with superb color reproductions. Many of the best photos seem to leap off the page giving life to the subjects.

As to various audiences, doll makers and their dealers are proudly announcing that their works appear in the book, and copies are prominently displayed at the booths of included artists at craft shows. (Many of the included artists have their own websites.) There are already over 13,000 references to the book on the search engines; the great majority of the hits are to discussions between amateurs recommending that people buy the book to get ideas for their own doll making.

I'm sure that many of the leading artists will be recommending the book to their students during their doll making workshops. This is a book of inspiration, however, not a how to do it book. It probably appeals most of all to collectors like my wife and myself for a number of reasons. First, it introduces us to many artists new to us. Second, it's a thrill to see an artist we know included in the book; that validates our taste in collecting. Third, it enhances the value of works actually shown in the book, adding to its provenance. Fourth, it is great fun to discuss the book and the works shown with artists we know -- conversations with living artists are one of the greatest joys of collecting modern art. Finally, these dolls are great fun to look at, even if some of them have absolutely no appeal to us at all.

Lark Books is to be congratulated for producing such a splendid book. I'm going to review their other offerings to see what other collectibles they cover.

Robert C. Ross, 2008

The author redefines "argue" as "communicate", then tries to tell you how to "win at communicating". He does this by presenting a lot of half-truths and monologues borne of a critically incomplete understanding of even his own example situations. The result is a lot of really, really bad advice.

This book is useless as a guide to arguing (or even communicating), but possibly potentially useful in understanding the kinds of broken thinking you may encounter in others while trying to argue or communicate with people of like mind with the author.

I was not a big fan of lawyers until I read this book. What a helpful and wonderful persepctive in dealing with anyone anywhere. The use of real world examples is dead-on.

Simplicity isn't emphasized, but it is fair for Spence to assume virtually all of the other books on public speaking include banal adages like "start with an impact statement" or "limit your presentation to 2 to 4 main points." I appreciated him not selling me a repeat of the basics.

Spence's point about emotion is no one cares to argue over or hear why 2 + 2 = 4. Consequently, issues worth arguing over are normally decided by a sense of justice, responsibility or the like, which involve emotions. I took Mr. Spence to assume along with his audience, with good reason, that you cannot persuade a jury, judge, board of directors or the like by logic alone. You must address what people care about.

This is an extremely helpful book from one of America's greatest trial lawyers. It is also an easy read. In short, Spence believes that arguing is important because it shows that you believe in something important. To go through life without sharing these beliefs is not to live at all.

I was initially turned off by the title because arguing can have a bad connotation these days (i.e. being confrontational). However, Spence uses the term arguing to mean sharing your deep held beliefs with others. If we all would do this, he suggests, we would all be more enlightened.

Most important, Spence shows you how to share your beliefs. "The first trick of the winning argument is the trick of abandoning trickery."

A note for trial lawyers. Although this book is not intended to teach trial techniques, Spence's message about being true to yourself when you argue in court for what you believe and in the rest of your life is well worth remembering.

Every household should have this book. It is so good, I would like to memorize it. Full of wisdom and practical logic this book shows that any argument can be won when it comes from the heart and a well prepared mind. Gerry Spence's approach at winning an argument is very creative, sensitive, compassionate as well as intelligent and astute.

Laurie Ward has hit on a great idea here - redecorating with your own stuff. And she does give some great advice in this book about creating a conversation area situated around a focal point, and about how high to hang art. I have been "tweaking" my house ever since I read the book and for the most part her suggestions are very helpful. I also enjoyed the "before" and "after" photos of real peoples' homes. But a couple things bothered me about this book. The first two-thirds of the book are basically paraphrased repetitions of this idea: create a U-shaped conversation area around a focal point. By the fifth or sixth example, you're thinking "gee, I wonder what genius furniture arrangement she'll come up with this time...SURPRISE! U-shaped conversation area!" She gives only a little information on how to re-arrange a dining room, bedroom, bathroom, or ANY OTHER room in the house (and what about those of us with open floor plans? throw me a bone here!), and what few suggestions she does give seem to have been added as an afterthought. The other thing I did not like is a matter of taste more than anything else: I thought some of her advice was a bit old-school (and not in a good way), in particular her advice about how to arrange and group art and other decorative objects (i.e., "don't mix media"), but also her advice against using fridge magnets and patterned paper towels comes off as a bit snobby. However, overall I do recommend the book if you need some help rearranging your living room.

I give the book a 4 star rating. Would have been good if we had some colour photos and show some living rooms that do not have the fire place a the focal point of the room but some other feature. Also how do you decorate a room with steep dormer features, that create angles. I like Lauri's books though I have Home Therapy.

I am a professional interior designer and I found this book great because it provides great information in a easy to read format. I read more than half the book in one evening. Some people have stated that even though they love the book they wished it was in color. I love the book in black and white because the emphasis really is on the placement and not so much the color. I find that when items are related in color it is easy for the eye to make the "connection" and ignore the real placement of the items. When the pictures are in black and white, it forces the eye to look at where and how the items are placed. This is a great book and I would recommend it to the novice, lay person, or professional designer/decorator looking to add an additional service that they can offer their clients. I give it two thumbs up!

This is a good book for people who have no experience or formal training with decorating. I found the top 10 tips for avoiding design disaster to be helpful and easy to understand. The pictures in the book are very outdated, but made me feel like I might have a fighting chance with my own space.

...and yet I only give it 4 stars. Why? Because first of all, there is very little advice that applies beyond the living room, and that's a formal living area - not the family gathering and watching TV area. I would love to see a book of hers that will address other areas in the house.

Beyond that though, I love this book. I'm a down to earth person, always looking for a quick and cheap way to re-do things. This book taught me decorating principles that were easy to put into practice. I like the before and after pics, explanations and the occassional room layouts. After studying this book a few times, it took me less than an hour to re-arrange my living room. It's so much more inviting and comfortable now, that I don't want to leave it! As for color vs. black and white photos, of course I'd prefer color. But I can live with it, because the content is so helpful. I have the older version too that has a middle insert of color photos as well.

This book will be helpful if you already have a house of furniture or maybe suffer from TMS syndrome (too much stuff) and if you enjoy being creative with what you have. If not, then this book will probably frustrate you.

I have purchased many woodworking books and this book written by gary rogowski is one of the worst books i have read. It is filled with numerous joints but little if any instructions as to how to put them into action. I was extremely disappointed. i gave it a ranking of 1 star only because it has identified many joints.Now i know all the names, i will just have to research another book as how to make them.

This how to book is an important addition to a beginner furniture makers library. Good reference book.

very informative book, full of useful information and a lot of diagrams
and pictures of how to do it.
It rates high in detail and covers about all you need to know to complete
a high quality piece of furniture.

As I went into some DIY woodworking projects and needed some help, I bought this one together with another Taunton series: Andy Rae's "The Complete Illustrated Guide to Furniture and Cabinet Construction". Excellent books both of them. The sections are very well balanced and the text is divided logically on joinery techniques from a manual and power tool point of view. It gives you freedom to choose the most appropriate technique but you also have the basics (without power tools) which is very helpful in order to understand it better. No fuss about gear and promotion of one brand or another, the book it is very careful about that and it gives you freedom to choose between category of tools and not vendors. The photographs are beautiful and high quality print (it is printed in Italy, famous for its publishers) and worth the money. Really, you have a lot to learn if you are a beginner or mid-advanced in the art of woodworking. Also, the book is a very good reference for those that are teaching these techniques given the quality of the pictures and clarity of text. Five stars, worth every penny IMO.

This is a very good book, very complete. The book assumes a basic knowledge of woodworking. The only thing that I could do without is some of the detailed process for using specific advanced wood working machines that most of us do not have, like a horizontal router, but I just skipped those pages.

I finished this book in two days. It's a great look at all types of real estate and what has fueled (and continues to fuel) our love of homes and real estate.

Great book! Easy read and very interesting. While I don't agree with some of his conclusions, this is a behind the scenes look at HGTV and what makes us so house focused. I love looking at houses, comparing houses, reading listings, etc . .. and therefore, I loved this book! Easy to read, fun read. For anyone that is looking to buy, looking to sell, looking to build, or looking to remodel.

In his 2004 book "Boomer Nation: The Largest and Richest Generation Ever And How It Changed America" Steve Gillon refers to a rather surprising observation from Paul Begala, hardly a conservative Republican, who opined that "baby boomers are the most self-centered, self-seeking, self-interested, self-absorbed, self-indulgent, self aggrandizing generation in American history." You will get no argument from me there and I was born in 1951! You remember the boomers don't you? These were the disaffected young people who were marching in the streets in the late 1960's. Well, a funny thing happened on the way to retirement. Millions of baby boomers have developed a condition that author Daniel McGinn refers to as "House Lust". And the epidemic is spreading to younger generations as well.
What are the symptoms of "House Lust"? If you are spending more than a few hours each week watching HGTV you are likely coming down with this highly contagious affliction. I hear that shows like "House Hunters", Designer's Challenge", "Flip This House" and "What You Get For The Money" can be extremely addicting. Daniel McGinn points to the meteoric rise in the popularity of HGTV over the past decade as a major factor in the real estate craze we have all experienced. Suddenly you realize that you are living in the wrong neighborhood or that your house just doesn't cut it anymore. Another symptom of "House Lust" is an aversion to anything small, outdated or used. Many of those in the market for a house today are looking for a home at least 3 or 4 times the size of the houses they grew up in. They also want homes loaded with just about every amenity imaginable. Daniel McGinn goes on ad nauseum about the myriad of options available to buyers today. Have you heard those commercials on the radio explaining how much happier life will be if you install new Corian counter tops in your kitchen? And then there is the debate about buying a brand new home as opposed to purchasing an existing dwelling and renovating. You will learn the pros and cons of each of these options. Perhaps the most disturbing thing I read in "House Lust" is the story of Dr. Debi Warner, the "Renovation Psychologist" hailing from the great state of New Hampshire. Dr. Warner has evidently carved out a niche for herself assisting embattled couples as they navigate the difficult road of home renovation. Renovating can be s-o-o-o stressful! Apparently there is a TV show in the works as well! In the latter chapters of "House Lust" there is much practical information to he had about other issues surrounding the housing industry. You will learn why so many individuals take a shot at a career in real estate and why so many of these folks drop out of the business after just a short time. McGinn also explores the issues surrounding vacation homes and time-shares. Finally, Dan McGinn examines the pros and cons of investing in real estate. I was quite surprised to learn how many people purchase investment properties they have never seen in states that are hundreds or even thousands of miles away. Sounds awfully risky to me.
At the end of the day I found "House Lust: America's Obsession With Our Homes" to be a fairly well-written and pretty informative book. Yet much of the subject matter greatly disturbs me. More than once I found myself muttering "What the heck were these people thinking?" when reading about some of the obscene amounts of money that people are willing to spend on building and renovating their homes. I hate the conspicuous consumption that seems to be in evidence everywhere you turn these days. And as author Robert Putnam so aptly points out in his seminal book "Bowling Alone" we all pay a price for such self absorption. Clearly, civic participation is at an all-time low as people withdraw from the public square and retreat into their not so humble abodes. It would appear that a growing number of us seem perfectly willing to sit back and "let the other guy do it." As their numbers continue to dwindle, once vibrant civic and religious organizations like the Elks, Knights of Columbus and the American Legion to name but a few are struggling to survive. Our communities are the big losers because many of the volunteer services that once were provided by these organizations have either totally disappeared or have had to be assumed by the government. Another extremely disturbing trend is that political parties are finding it more and more difficult to attract talented people to run for political office.
In the final analysis the American constitution guarantees each one of us the "freedom to be foolish". People who choose to spend outlandish sums on their homes should do so at their own risk. If things go awry these people have no right to expect the government to bail them out. Perhaps the painful lessons we are learning today will help to us all to curb our appetites just a bit in the future. "House Lust" is a great way to get up to speed on these fascinating issues. Recommended.

The first thing that strikes me about Daniel McGinn's excellent first book, "House Lust," is how supremely organized it is. We get a very well-organized tour through the housing bubble via separate, tidy, punchy chapters concerning up-sizing mania, the new-house phenomena driving booms in locales like Las Vegas, fix-up fever, real-estate investing as a watching sport, rental properties, Realtor conventions and vacation homes/time shares. Each chapter gets just the right gist of what that particular piece adds to the overall market.

Furthermore, McGinn's effort is awash in credibility. Not only did he research house lust, he lived it. Among his many participatory exploits are his eyebrow-raising purchase of a rental property in Pocatello, Idaho (he used his book advance, much to the, umm, chagrin of his wife) and his pursuit of a Realtor license. In each case, the author's first-hand involvement greatly enriches the tale.

Of additional note are McGinn's efforts to keep the book relevant at the time of the sub-prime-fueled, foreclosure-laden bust of the bubble. The book was conceived mid-bubble. The market had clearly turned prior to publication. McGinn notes this dramatic shift and adds what I feel is an appropriate level of commentary about the implications. To that end, in his Acknowledgements section he mentions that esteemed economist and Newsweek colleague Robert Samuelson "provided generous advice on adjusting the book's tone as the housing market weakened."

Speaking of Newsweek, like many others I suppose, I learned of this book through the excerpt in that weekly. I've been a long-time (20+ years) subscriber. It's a delight to see how many colleagues McGinn credits by name and how many he counts as friends. It's a workplace that seems very family-like and collegial. In the wake of a significant buyout of many of Newsweek's longtime writers, it leaves me a bit melancholy. This is the downside of the web revolution and rapidly plummeting print circulations: the busting up and atrophying of great talent pools like Newsweek is a most unfortunate thing for readers like me...and it seems for people like Daniel McGinn, a generous journalist who understands how a place like Newsweek molded him.

I really enjoyed this book. It is extremely easy to read, has adequate footnotes for those who want to further explore any of the topics which the author covers, and in my opinion it incredibly accurately captures the fascination/interest/obsession (and yes, even lust) of many of us have for all aspects of activity regarding our homes (and those of our neighbors and even strangers). Whatever the reason (idle curiosity, planning a move, determination of the value of your own home, interest in renovations), if you often peruse the weekly real estate section of your local paper, visit open houses just for the heck of it, often mentally decide how you would renovate or redecorate a home that you are visiting, can't resist checking out the neighborhoods where you vacation with the thought that it might be nice to have your own getaway abode there, or have graduated from watching THIS OLD HOUSE on PBS to being able to recite from memory the most watched shows on HGTV, this book is definitely for you.

Dan McGInn is a national correspondent for Newsweek. He has spent several years covering many aspects of the real estate boom that eventually assumed bubble type characteristics and is now undergoing the inevitable hangover of a correction, which will hopefully not morph into a crash. The tone and style of the book is illustrated by his examination of the traditional competition and envy (not confined to real estate), which he describes in his opening chapter about the Toll Brothers' subdivision in Potomac Maryland, aptly titled "Mine's Bigger than Yours". Other randomly selected chapters include commentary on such topics as "Fix-up Fever", the seemingly favorite neighborhood pasttime in some communities of remodeling cum expansion, and the whole mystique of often little used vacation homes that are usually very uneconomic investments despite their frequent justification on that basis. Included in that discussion is a very interesting overview of the operation of the timeshare industry for the uninformed such as myself, as well as the recently introduced luxury vacation option known as destination clubs (as epitomized by Exclusive Resorts, the largest).

McGinn has a keen eye and an engaging style; as the title of my review states, I not only found a lot of educational material (admittedly much anecdotal, but a lot of hard facts as well), but I also really had fun reading this book (as it appeared that he did writing it). So if you are a chronic addict with HOUSE LUST that cannot be cured, you will probably relate to much of the material in this book. But even for the more casual hobbyist (who can change the dial and for whom HOUSE HUNTERS is not "appointment television"), the new terminology alone to which you are introduced is worth the time and price of the book. One example - in Las Vegas a new home is as much a status symbol as a new car, and what is in other parts of the country simply considered an existing home being sold is for many individuals in that area a "used home" which carries as much of a second hand stigma as a used car. Other interesting topics include the monogamous vs. polygamist vacationers (as well as "staycationers"), renovation hell, home location "splitters", the risqué practice of "house humping' (I had no clue), as well as lots of insider lingo and shorthand.

He also touches on the topic of how technological innovations are changing both our lifestyles and our homes, and has a fascinating compilation of statistics regarding the growth in size of our residences over the past few decades. Finally, to complete his research he takes the local exam to obtain his real estate license and provides some insights into the profession of realtor as well.

My goal in writing this review has been to provide an intriguing overview of how successful McGinn has been in capturing in an extremely entertaining manner the quest surrounding what for many Americans is a (and perhaps the) central element of their pursuit of the American Dream, a home of their own (and then- the renovations and subsequent additions, and later a vacation home, etc., etc.) I hope that you enjoy it as much as I did.